I don't know if anyone else will find this interesting, but since I can't currently record all 6 microphones at the same time (because I need to get some better XLR connectors), I decided to see how pink noise is recorded by each of them. In the following image, what you'll see is that the KM84+ is used as the "base" EQ. I used FabFilter's Pro-Q3 to do an EQ match with the KM84+ recording pink noise.
If you see the yellow line going UP past zero, that means that in order to sound like the KM84+, the mic EQ has to be raised at that point. Lower than 0 means the EQ at the given frequency has to be lowered.
Something else interesting (confirming what I'm hearing) is that I swapped the MP SDC-84 capsule for a 3U Audio Capsule and did a recording with the MP SDC-84 of pink noise. See the big drop at the high end frequencies on the stock MP SDC-84 capsule?
With the KM84++ I'm seeing that the low end needs to be raised to match the KM84+. Also, like I can hear in the recordings, 5-15kHz has to be raised in order to match the KM84+ ... confirming why I'm not hearing as much definition out of the KM84++ as the KM84+.
This also includes the stock Takstar CM-60 and CM-63 and it's interesting to see that they both have a mid scoop compared with the KM84+. The CM-63 has a lot more high end above 8kHz compared with the KM84+. When I was comparing the CM-60 earlier this year against my Graeme Woller KM84 build, the CM-60 sounded really close except it had significantly more low end.