abbey road d enfer said:That's about my definition of an incompetent proselytic technician.
OK, different definition, but I see what you mean.
As in history being (ab)used to glorify past mistakes and not acknowledging they were the result of poor decision-making and industrial pressure.
The problem with many audio historians is they try to demonstrate they actually undestand the arcanes of the art, and fail miserably.
Think of vintage car specialists, does the fact they know all the variations of a model/brand actually make them good mechanics?
Of course, I wouldn't defend anything that's rabid, but as a designer, I would feel cheated if anyone picked up one of my designs and claim it's their work.
Historians need oversight. Do you need to be a professional chef to write about the history of food?
Besides, I live in a town that's car crazy. Lots of very capable mechanics around. Not one of them is suited to be a car historian, cause none of them can write. And most only know a lot about one brand of car.
Believe me, Mr. B. deserves to be bashed. Actually, it's Dr. Ulrich and Mr. Behringer, one that set up one of the most interesting manufacturing environment, and one that blatantly ripped off protected designs. I believe Terry and Philip Clarke are bothered seeing their name on UREI and Pultec rip-offs.
Tell me, why is mr. B to be bashed and none of the others? Is that because the others only sell a few hundred of their copies or because the copies are equally expensive?
That being said, I use the P16 foldback system in my studio, which, AFAIK is not a rip-off.
Behringer is an entire city in China these days. There's not one, but two universities. And that education is accessible to most Chinese.
The products that roll out of the dozen or so Behringer factories in that city, no longer are copies. I can't think of any contemporary Behringer product that is a copy. Even stranger, Behringer is being copied these days. It doesn't seem to bother Ulli. They even allow Phonic, one of their OEM manufacturers, to copy the products they build for Behringer. Same device, limited quantities and even cheaper. Clearly, Ulli has learned from the Chinese.
One of the things he's learned, is you can't leave quality control in the hands of the Chinese. You need to keep a close eye on them.
Another thing he probably learned, is that the vast majority of the world's population has no respect for intellectual property. The Chinese consider copying as a form of flattery. You must be doing something right, if others are copying your work.
I don't blame Manley Labs; they are doing business. I just don't care about their products.
The funny thing is, I was just looking into tube amps, for a friend mostly. But I'm also considering buying one myself. Mainly because DIY would take me years, as I have no experience with tubes. Stuff like what's going on on GS, strikes Manley from my list.
A lot of this is about cultural difference. And about the strange idea that seems to live in the heads of a lot of citizens of the USA that the rest of the world is like the USA.
A clear example of this happened on the RME forum a while back. Someone with a driver problem wanted help. Of course, he didn't mention the driver version he was using. When he responded with that info, the solution was to update to the latest drivers. Spontaneously, the RME person added: "Why didn't you try that in the first place?". Which lead the poster to ask about that person's communication skills...
Nobody in his right mind would take an insult in that remark. But he did. Unable to understand it was just a spontaneous remark, not an insult at all. Germans are direct. Americans aren't used to that. And the Chinese are laughing...