Before I answer all the questions here are the pictures for the solder and components side:
and you can download [right click and SAVE TARGET AS] from here the high resolution BMP to make the PCB:
http://www.geocities.com/chrissugar7/CMS-LAB-JFET-AMP-SOLDER.bmp
Sorry Fabio but I have no gerber files, I made the project with a freeware software, then captured it with a freeware printscreen capturing software. I know, it is a bit hardcore but all my small boards are made this way. :grin:
I have to say that I was surprised that DaArry's board is 80 percent like mine. My idea was to make it more like a plugin amp module like the 990 type opamps but in a diferent footprint.
Why do I need all these modules? Good question. I played with this circuit for long enough time and explored it and I can say that I was even more impressed by this than my 10 channels of N_E_V_E preamps or the A_P_I types because it is so simple, it sounds great and is very versatile. From a very clean classA to a coloured distortion box it can do everything. I tried it with Lundahl1636, 1538 and OEP and it can sound beautifull.
A module like this has aproximately 26 to 29 dB gain depending on the fets and resistor values you use.
So why I need all these modules? I have over 120 ouputs from my synthesizers/samplers, many from the harddisk recorder and also many from the digital fx boxes. But that is not the complete answer. I try to design my new toys in dual topology like the Millenias designed by Fred. For example tube and jfet amp modules, or bipolar amp and jfet amp modules. Enough variations. Just think about compressors, limiters, equalisers and you will find that 60 is not too much. :grin:
By the way you could ask why have I built 40 Millenia type opamps, and all those NTP, QuadEight and melcor and the answer would be the same.
:grin:
chrissugar