HELP with designing a headphones distributor please

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MidnightArrakis

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The PAM device is class D, it should not have much dissipation.
The TDA device is class AB, and the package is only rated for 1W, so I think you would need to do your own homework there and not rely on the design being done right from the unknown super cheap vendor.
I'm not even sure what the OP is fully attempting to achieve especially since there are entire "headphone distribution systems" that can be purchased for studio use. I'm just trying to help the guy out without getting too involved in a bunch of details about it (you would need to do your own homework). While I do kind of understand somewhat what it is that he is attempting to accomplish, if it were me trying to do the same thing..... I would be taking an entirely different approach.

I'm outta here!!!

C'YA!!!


/
 

sonolink

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I'm not even sure what the OP is fully attempting to achieve especially since there are entire "headphone distribution systems" that can be purchased for studio use. I'm just trying to help the guy out without getting too involved in a bunch of details about it (you would need to do your own homework). While I do kind of understand somewhat what it is that he is attempting to accomplish, if it were me trying to do the same thing..... I would be taking an entirely different approach.

I'm outta here!!!

C'YA!!!


/

I apologize if my first post didn't express clearly what I was trying to attempt. MY idea of posting on this forum for years always has been learning and receiving ideas and suggestions (and of course help when I'm lost).

My post said:

"Hello everybody,

Can someone please help me with the following circuit please? I've made a diagram. I was wondering if anyone knows some ready made circuits I could use and what sort of amplifier and if RJ45 can be used for this. I'm a bit lost with the technical requirement TBH....

So basically, Box A "converts" both stereo channels A and B from 6.3mm jack to Rj45. Box B is a 2 stereo channels active amplifier for headphones.
It receives channels A and B through an RJ45, sends a "through line" towards the next RJ45 and taps signal from both channels to each switch so that each user can choose which channel to listen to and at what level. The idea is to chain several B Boxes.
"

After some kind people cleared out that RJ45 can be used and provided me with quite a bit of info to read, and while reading it I tried to figure out what ready made circuits I could use. Not that I don't want to build, but considering the price of some of those circuits and that I would need quite a few of those B boxes I just thought of keeping things simple.

Anyway, thanks for your input
Cheers
Sono
 

ccaudle

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Doesn't the vendor state that the TDA device power rating is between 0.1 and 5w?

Indeed it does state that on the Aliexpress page.
You can get the datasheet for TDA2822 and take a look at the device limits for yourself. I do not see that the device vendor makes that claim, and taking a quick look at the datasheet I do not see that anything close to 5W is feasible. Like I said, you need to do your own homework, I do not consider aliexpress a reliable source of technical information.

It appears that ST is willing to claim the device is good for about 0.5W, but with some caveats around supply voltage vs. headphone impedance. Presumably that is to keep the device dissipation within acceptable limits, you have to reduce the power supply voltage if you want to drive low impedance headphones.
So either someone dropped a decimal point along the way, and 0.5W became 5W in the board description page, or someone just copied and pasted information not completely relevant to this design.
 

sonolink

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Indeed it does state that on the Aliexpress page.
You can get the datasheet for TDA2822 and take a look at the device limits for yourself. I do not see that the device vendor makes that claim, and taking a quick look at the datasheet I do not see that anything close to 5W is feasible. Like I said, you need to do your own homework, I do not consider aliexpress a reliable source of technical information.

It appears that ST is willing to claim the device is good for about 0.5W, but with some caveats around supply voltage vs. headphone impedance. Presumably that is to keep the device dissipation within acceptable limits, you have to reduce the power supply voltage if you want to drive low impedance headphones.
So either someone dropped a decimal point along the way, and 0.5W became 5W in the board description page, or someone just copied and pasted information not completely relevant to this design.

I just read the datasheet and you're right. I bet someone dropped a decimal :)))

I think I'll go with the PAM then. Thanks a lot for pointing that out!
Cheers
Sono
 

sonolink

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A couple of questions about buffering please: if I want to chain several B Boxes (let's say 20), I probably need a buffer between each box.

Where should I place the buffer?
-after the input RJ45
-just before the output RJ45?
-does it actually matter?

Caja BUFFER IN.png


Caja BUFFER OUT.png


Thanks a lot for your time and help :)
Cheers
Sono
 

ccaudle

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I could use this buffer in front of each switch for instance?

Yes, something like that (if still using unbalanced inputs). Doubled up if you are using balanced inputs (your original description was just unbalanced input but I wasn't sure if you were considering changing to balanced line level input like suggested in post #10).
 

sonolink

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Actually that's an important point I have overlooked!

I have to check what the source will be. The purpose of this thing is a headphone distribution system to be used for simultaneous translation. So, channel A would be the original audio and channel B the translated version. I have to check with the person that has asked me to build it, where the source audio will be coming from (i.e. a mixer output). If the source is balanced line level I'll definitely need to maintain that. I also have the feeling that if the source is unbalanced it's convenient to balance it to avoid noise, isn't that so?

Thanks a lot for your help :)
Cheers
Sono
 

sonolink

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Yes, something like that (if still using unbalanced inputs). Doubled up if you are using balanced inputs (your original description was just unbalanced input but I wasn't sure if you were considering changing to balanced line level input like suggested in post #10).

I just checked and the source will be a mixer output, so I definitely have to go balanced line level :)
And I will definitely go with the Angry Audio pinout.

Thanks for pointing that out ccaudle!
Cheers
Sono
 

sonolink

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I just realized I can't go with the Angry Audio pinout. I need to send TWO stereo signals + Power for each B Box. If using unbalanced I could go as Hubbub suggested

1- chA L
2- chA R
3- V+
4- Audio GND
5- Power GND
6- V-
7- chB L
8- chB R
9- shield to GND

But if I would want to go Balanced I don't have enough pairs. Maybe Thomas' idea of superposing power over audio?

1- chA L+ / V+
2- chA L- / V+
3- chA R+ / V+
4- chB L+ / V+
5- chB L- / V-
6- chA R- / V-
7- chB R+ / V-
8- chB R- / V-
9- shield to GND

The source is going to be a balanced signal from a mixer out.
Opinions? Thanks :)

Cheers
Sono
 

ccaudle

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superposing power over audio?

The only problem I can see there is that there is an indeterminate number of loads, which makes the scheme used for phantom powering microphones difficult, since your current draw will vary proportionally with the number of B boxes you have.
 

sonolink

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I'm afraid there's a misunderstanding. I'm sorry for the language barrier. There are no microphones involved whatsoever. The power should serve only to feed the headphone amps and buffers. Source signals in channels A and B are coming from a mixer.

Should I go unbalanced then? ;)
 
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ccaudle

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There are no microphones involved whatsoever.

Understood, I was just making a reference to the way power is provided for microphone with balanced audio wiring, power supplied to the wires through resistors.
I am not sure how else you would implement what you show in post #33 where one channel of balanced audio also has power on the wires. You either have to supply power through two resistors, or through the center tap of a transformer. The voltage drop across the resistors is proportional to the current, so more voltage drop every time you add another B box to the chain.
 

sonolink

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Thanks for your input ccaudle :)

2 questions come up in my mind now:

1- if going balanced and wiring the power boxes in parallel, I wouldn't have any voltage drop, right? I'm not sure that would be possible since audio and power would be sharing wires but just out of curiosity.

2- the important question: the source is going to be line level. Is it THAT bad to go unbalanced?
Boxes will be a couple of meters away one from each other max...Cat cables will be shielded and grounded, and the boxes will be made of aluminium...

What do you reckon? :)
Thanks A LOT for all your ideas
Cheers
Sono
 

MidnightArrakis

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Thanks for your input ccaudle :)

2 questions come up in my mind now:

1- if going balanced and wiring the power boxes in parallel, I wouldn't have any voltage drop, right? I'm not sure that would be possible since audio and power would be sharing wires but just out of curiosity.

2- the important question: the source is going to be line level. Is it THAT bad to go unbalanced?
Boxes will be a couple of meters away one from each other max...Cat cables will be shielded and grounded, and the boxes will be made of aluminium...

What do you reckon? :)
Thanks A LOT for all your ideas
Cheers
Sono
[What do you reckon?] -- While it may be admirable for what it is that you are attempting to accomplish, I believe that it may be far more technically achievable to simply forge ahead in a slightly more "brute-force" manner and just use a single -- multi-pin -- connector to carry both your balanced 2-channel audio and your power-supply voltage. As it just so happens, "Good Ol' NEUTRIK" has such a connector just for YOU!!! HERE YA GO!!!:

1700058612893.png

Pins 1 - 8 will handle your:


1- CH-A - L+
2- CH-A - L-
3- CH-A - R+
4- CH-B - L+
5- CH-B - L-
6- CH-A - R-
7- CH-B - R+
8- CH-B - R-


and then Pins 9 & 10 are for your power-supply. EZ-PZ!!!

And, then.....here is your chassis connector:
1700059333482.png

Should you decide upon a +/- power-supply, then you will need to use a 12-pin connector and those types of connectors are supplied by AMPHENOL, TE and many others. You just need to figure out how you want all of this to be structured and once you have that determined, then figuring out all of the hardware can fall into place. So.....START THINKING!!!

/
 

sonolink

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Thanks for your input Jerry. The person that has asked me to build this for him has expressed the wish to use RJ-45. Otherwise I probably would have gone with DB25 a while ago. Thanks anyway for the suggestion :)

What I really need to know is if using unbalanced at line level is ok. If it is, I'll just use the Angry Audio pinout. If not, I'll have to figure out somwthing else or talk the guy into using a different connector...

Cheers
Sono
 

ccaudle

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if going balanced and wiring the power boxes in parallel, I wouldn't have any voltage drop, right?

I don't understand what you mean by "wiring the power boxes i n parallel," you'll have to draw a diagram of what you are considering.

Is it THAT bad to go unbalanced?

Probably not. You don't have separate AC power connections to each box, which is a big part of where noise is introduced in most unbalanced equipment.
It is also just for monitoring, so in cases where you do get a little bit of interference it is not ruining the recording.
 

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