I have been following this thread for a while and it seems that no one (AFAIK) has brought up the necessity of mechanically fine-tuning the Rhodes tines & pickup system for best tone balance and harmonics, so your new preamp will be able to do its intended job.
Comments about dull tone and less than expected results for what is likely a really great preamp, are in most cases not the fault of the preamp or its design, but more likely just an out of adjustment piano.
Just as any acoustic piano requires regular tuning, maintenance, regulation and adjustment to perform at its peak, a Rhodes electric piano is no different and requires regular care and feeding to sound like the Rhodes we have all heard on hit records for decades.
Mechanical tuning, registration and precision placement of Rhodes tines, pickups, hammers and harp were the bedrock of the legendary Dyno-my-Piano mods from the great Chuck Monte (briefly mentioned earlier in this thread), as heard on Rhodes owned by players like George Duke, Joe Zawinul, Herbie Hancock, Tom Coster (and countless others) as well as one particular Rhodes available from Leeds Rentals LA that had graced countless Top-10 hits over more than 35 years. There was even a "Percussion Pedal" mod that changed the position of the harp/tines with respect to the pickup array to allow the performer to completely change the tone of the piano while playing.
The DynoMyPiano active preamp system actually came later to allow capturing all the tone those mechanical mods brought to the table, as well as related contributions from Songbird (Tri-Stereo Chorus, et-al) and several famous LA-based recording console designers who lent their genius to even more advanced Rhodes/DynoMy preamp designs.
Check out these links for enjoyable musical history lessons, a huge database of useful information, technical data and interviews with Chuck Monte and the players who still love his work.
You will also find complete Rhodes service manuals at the fenderrhodes.com site.
https://www.facebook.com/DynoMyPiano/http://www.fenderrhodes.com/history/dyno.html
Below are links to Vintage Vibe for Rhodes restoration kits and repair parts, their tech-tips pages, and the Electric Piano Forum for endless discussion on similar topics.
https://www.vintagevibe.com/https://ep-forum.com/smf/index.php?PHPSESSID=d3a7794864e0806dcea0770d9bc547ee&https://www.vintagevibe.com/blogs/news/tagged/tech-tips
Please understand the intent of this is not to send you down a long rabbit hole of research and learning away from your original preamp project, but as a fellow Rhodes owner, to find all the ways you can drastically improve your instrument with just a little mechanical tweaking,..... and get even more out of your preamp and piano.
Decades on the road as a keyboard tech and live sound engineer and hours spent inside my own my Rhodes (and many other vintage keyboards) have given me a world of knowledge and enjoyment of these instruments to pull from. Just experimenting with the sonic effects of tine alignment to the pickups (see attached image from Rhodes service manual) using my ears, an oscilloscope and some basic spectrum analysis tools, have offered incredible results.
Even a small change in proximity, elevation or alignment of the pickup or tine can drastically change the harmonic content and volume of each note.
There is a LOT more inside a Rhodes to understand and adjust (hammers, escapement, dampers, snubbers, tone bars & clips.....), but take it slow, mark positions or write notes on where things were before you start making changes and make small adjustments. Its VERY easy to get things out of whack and a lot of effort to get them back if you don't have an idea of where they were to begin with.
Please enjoy the data above. I hope you research as much as you brain can handle and report your success back to hungry GDIY members.
Ken Hirsch / Director of Engineering
Orphan Audio
www.orphanaudio.com
Quad-Eight Electronics
www.quadeightelectronics.com
Electrodyne Audio
www.electrodyneaudio.com (a division of Orphan Audio)
"Education is the cure for everything"