PermO
Well-known member
So, back to the circuit now...
Last night I spend some time with the passive pick-up emulation and tone stack and came to the coclusion that...
It sucks
It's six different shades of mud on the dial, and I have never been in the situation like "there's way too much sparkle, this needs some mud !"
So out it went and I tried some different filters like a passive high pass, it works, but I don't like how it sounds.
It does not make sense to have a high quality high impedance fet input with a bunch of passive junk strapped behind it, all it will do is kill your sound and suck the life out.
So, Douglas Self to the rescue... it makes way more sense to have a baxandall type EQ between the two opamp stages, utilizing the high impedance fet input, and use the pots for tone control and use the Elma rotary as a stepped attenuator at the output.
I guess this will sound so much better, so that's what I'll do.
My plan is to use this circuit;
I love how elegant and simple this is...
I also listened to the small Beyerdynamic transformer and I liked it, so that will stay as I like the idea of galvanic isolation on the auxilary output, it will do no harm and I have plenty, it will add zero cost for me. I think it adds a nice upgrade to the overall design.
I'll go back to the software now and draw a new schematic for as long as the pinched nerve in my neck allows me to do that.
Last night I spend some time with the passive pick-up emulation and tone stack and came to the coclusion that...
It sucks
It's six different shades of mud on the dial, and I have never been in the situation like "there's way too much sparkle, this needs some mud !"
So out it went and I tried some different filters like a passive high pass, it works, but I don't like how it sounds.
It does not make sense to have a high quality high impedance fet input with a bunch of passive junk strapped behind it, all it will do is kill your sound and suck the life out.
So, Douglas Self to the rescue... it makes way more sense to have a baxandall type EQ between the two opamp stages, utilizing the high impedance fet input, and use the pots for tone control and use the Elma rotary as a stepped attenuator at the output.
I guess this will sound so much better, so that's what I'll do.
My plan is to use this circuit;
I love how elegant and simple this is...
I also listened to the small Beyerdynamic transformer and I liked it, so that will stay as I like the idea of galvanic isolation on the auxilary output, it will do no harm and I have plenty, it will add zero cost for me. I think it adds a nice upgrade to the overall design.
I'll go back to the software now and draw a new schematic for as long as the pinched nerve in my neck allows me to do that.