Rybow
Well-known member
Hello everyone! With my move to New Zealand fast approaching, I thought I'd share a couple of mics that I just finished up. Well, as finished as they can be. Alas, my workshop is no more. Sold to the denizens of Vancouver for a fraction of what I invested. Although, shipping it all to NZ would cost me a lot of dough, so it's not a total loss.
My mic locker was simple. SM 7b, sm 57, e609, Apex 435, Apex 180 x 2, and an AT 2020. Typical workhorse mics that get the job done. Lacking in good condenser's or mics with personality, so I tried my hand at building a few.
The Rolls Royce
I like opening acts, but I thought I'd start the show with the headliner.
KM 84 circuit, TAB funkenwerk T49 transformer, RK 47 capsule. Wired for cardioid and omni, and I included the pad switch. I put a trimmer in for the source bias resistor. I intended to set it by voltage, build a tone generator, and then fine tune the calibration using the sine wave to gate method. Still have to build that tone generator. Put inside a 2" diameter brass tube with a brass end cap. Single layer grill made from a soup strainer. DIY baby! I do want to change the grill for something better, but I would have had to buy enough mesh to do 100 microphones. I'll change it later on, but for now, it works. I also wish I had time to polish it, but I am liking the dirty look. For a shock mount, I've found I can just squeeze it into my AT 20 series shock mount.
This mic is all about thick and detailed mid range, which is lacking in my other condensers. I have used it on my voice (singing and metal screaming), female vox, electric guitars in omni, and some acoustic guitar tracks that I played back through my monitors and recorded in omni. Common theme was the very strong mid range and thick low end. Very nice. Omni works flawlessly and sounds great. The output is nice and hot requiring only 30db's of gain from my pres. This mic also picks up a lot of room reflections, which I actually like. It's a great mic, and currently the rolls royce of my collection thus far.
The Pipe bomb
Made from spare parts and parts sourced from local plumbing stores, the Pipe Bomb was my practice mic. I figured before building the Rolls, I should get some practice in. 32mm K67 capsule from my Apex 435 and the MK 012 circuit. I also made sure to include Dorsey's improvements and Gus's HF de emphasis modification. During assembly, I discovered that even a single layer grill would not fit in the 1.5" tube along with the capsule, so I grabbed some brass strips from a hobby store and made a head basket. The picture is flattering, the head basket is a bit wonky, but it works!
So far have tried it on my vocals, female backing vocals, electric and acoustic guitar. I really like it on acoustic guitar. Nice bite, and the HF de emphasis makes a big difference. A very nice mic for a $50 investment.
Simple Upgrade
My Apex 435 was my first ever microphone. I recorded everything with it, and I still think you can't do any better for the money.It started developing some issues later in it's life, so I stopped using it for awhile. With all the other mic mania, I thought it was time for an upgrade! Polystyrene input cap, changed every ceramic I could with a polyester film or polystyrene, and changed the capsule to a 34mm 797 audio K67 type that I bought from a forum member. I was planning on doing the Royer mod to this mic, but that will have to wait until I get set up again in NZ. Unless there is a DIY'er in Wellington who is willing to share their workshop?
Very nice sounding mic. Nice high end detail without being harsh, and a clean, transparent tone. I haven't been able to use it on much, but on vocals, it really does sound good. Hopefully, I'll be able to get more use out of it in the future. $35 plus a couple of caps. The strap on the circuit board is due to my big stupid hands losing one of the tiny screws.
Thanks for checking them out! Thanks also to the forum members who helped me out in the KM 84 and 012 threads. Big props to Gus for all the invaluable info you have shared on this forum as well. As you can see, all 3 mics are on the budget side of things, but I am on a budget these days. All 3 deliver big bang, and they each add a colour to the crayon box. I was hoping to get some sound samples done, but I have already parted with my mic stands and acoustic treatment. Oh well, the eye candy will just have to do I guess. ;D
My mic locker was simple. SM 7b, sm 57, e609, Apex 435, Apex 180 x 2, and an AT 2020. Typical workhorse mics that get the job done. Lacking in good condenser's or mics with personality, so I tried my hand at building a few.
The Rolls Royce
I like opening acts, but I thought I'd start the show with the headliner.
KM 84 circuit, TAB funkenwerk T49 transformer, RK 47 capsule. Wired for cardioid and omni, and I included the pad switch. I put a trimmer in for the source bias resistor. I intended to set it by voltage, build a tone generator, and then fine tune the calibration using the sine wave to gate method. Still have to build that tone generator. Put inside a 2" diameter brass tube with a brass end cap. Single layer grill made from a soup strainer. DIY baby! I do want to change the grill for something better, but I would have had to buy enough mesh to do 100 microphones. I'll change it later on, but for now, it works. I also wish I had time to polish it, but I am liking the dirty look. For a shock mount, I've found I can just squeeze it into my AT 20 series shock mount.
This mic is all about thick and detailed mid range, which is lacking in my other condensers. I have used it on my voice (singing and metal screaming), female vox, electric guitars in omni, and some acoustic guitar tracks that I played back through my monitors and recorded in omni. Common theme was the very strong mid range and thick low end. Very nice. Omni works flawlessly and sounds great. The output is nice and hot requiring only 30db's of gain from my pres. This mic also picks up a lot of room reflections, which I actually like. It's a great mic, and currently the rolls royce of my collection thus far.
The Pipe bomb
Made from spare parts and parts sourced from local plumbing stores, the Pipe Bomb was my practice mic. I figured before building the Rolls, I should get some practice in. 32mm K67 capsule from my Apex 435 and the MK 012 circuit. I also made sure to include Dorsey's improvements and Gus's HF de emphasis modification. During assembly, I discovered that even a single layer grill would not fit in the 1.5" tube along with the capsule, so I grabbed some brass strips from a hobby store and made a head basket. The picture is flattering, the head basket is a bit wonky, but it works!
So far have tried it on my vocals, female backing vocals, electric and acoustic guitar. I really like it on acoustic guitar. Nice bite, and the HF de emphasis makes a big difference. A very nice mic for a $50 investment.
Simple Upgrade
My Apex 435 was my first ever microphone. I recorded everything with it, and I still think you can't do any better for the money.It started developing some issues later in it's life, so I stopped using it for awhile. With all the other mic mania, I thought it was time for an upgrade! Polystyrene input cap, changed every ceramic I could with a polyester film or polystyrene, and changed the capsule to a 34mm 797 audio K67 type that I bought from a forum member. I was planning on doing the Royer mod to this mic, but that will have to wait until I get set up again in NZ. Unless there is a DIY'er in Wellington who is willing to share their workshop?
Very nice sounding mic. Nice high end detail without being harsh, and a clean, transparent tone. I haven't been able to use it on much, but on vocals, it really does sound good. Hopefully, I'll be able to get more use out of it in the future. $35 plus a couple of caps. The strap on the circuit board is due to my big stupid hands losing one of the tiny screws.
Thanks for checking them out! Thanks also to the forum members who helped me out in the KM 84 and 012 threads. Big props to Gus for all the invaluable info you have shared on this forum as well. As you can see, all 3 mics are on the budget side of things, but I am on a budget these days. All 3 deliver big bang, and they each add a colour to the crayon box. I was hoping to get some sound samples done, but I have already parted with my mic stands and acoustic treatment. Oh well, the eye candy will just have to do I guess. ;D