I did change 6n16 used as single triode for 6s6b in a mic with 12:1 3u audio transformer.
I injected various full range signals with various levels and recorded before and after.
Just swaped tube with nothing else changed (circuit optimized for 6n16) 2.1vdc cathode, 69vdc anode, 6s6b had more 2nd order harmonics, and less 3rd order. Also slightly higher noise in midrange compared to 6n16. It seems like it has softer higher mids, is a bit less hifi sounding and has slightly more low end than 6n16. While frequency response remains the same. Almost like some kind of multiband compression
I guess it's a game of harmonics. Can hear it, but can't put a finger on it.
I can't believe how non-microphonic 6s6b is!
When i did null tests i heard sweet and very controlled overtones it creates. It reminded me of some null tests i did with UA LA610 vs solid state preamp.
I guess i could conclude from the test that 6n16 is slightly cleaner and transparent. Maybe bit brighter without FR showing any difference. I have before experienced testing it against FET circuit with same capsule and body that it sounded almost the same as FET. Nothing spectacular happened in null test either.
When bias adjusted for less THD with cathode resistor about 1.7k i felt like part of the magic disappeared. Also, i got slight low end roll off, -1db @50hz. So i settled with 2.2k bias resistor. 6s6b will remain in this mic as it for lack of a better word realy does sound 'warmer' and is so quiet that i can't believe it's a tube.
All of this being said, they are close and in real world i wouldn't mind using any of them. For me it comes down to how they are used, what type of circuit, if one needs double or single triode. And yes, heater current.
I am though puzzled that these tubes don't attract more attention, they are awesome.
Question to Ruud, do you always adjust bias for minimum THD?