bockaudio
Well-known member
The point of using Mylar, over other plastic films, is it's hygroscopic.
GeorgeToledo said:kingkorg,
Scratches all over the backplate are also visible on his modded capsules.
Could not this be it's own topic? (the lists of parallel electronic devices that miraculously do not exhibit time delay between them)abbey road d enfer said:Arf!
Priceless.Tim Campbell said:Well no one should expect a microphone capsule to work for an indefinite period of time.
Remember he destroyed all those Neumann made capsules in order to use thinner membranes. Never made his own backplates.GeorgeToledo said:kingkorg,
It comes to mind that Stephen Paul used to complain about the machining of the Neumann backplates after they moved to more automated production.
He says that he would ream out the holes in the backplate more. Scratches all over the backplate are also visible on his modded capsules.
I thought it was interesting, in that he was essentially going the opposite direction from the mod experiment in the thread starter post. As far as I understand it.
Some of his old posts about this may still be searchable in google groups, rec pro audio mailing list. I remember reading some there a year or so ago.
In terms of vintage mics? Of course, the plastic, and all the plastic parts ARE different and aged. Does burn in matter on a new mic is the harder to answer question, and then, is the capsule separate from the electronics in that regard?GeorgeToledo said:Maybe it is more about some kind of burn in happening and it being deemed to be better after the fact.
bockaudio said:Remember he destroyed all those Neumann made capsules in order to use thinner membranes. Never made his own backplates.
If you re-membrane one of his destroyed backplates with the old, original thickness you don't get the original response. The worst of both worlds.
Their lapping process. K67s had plastic stops in the backplate to prevent membrane stick.kingkorg said:This is kinda known "mod" to prevent membrane from sticking to the backplate. Could be he also raised the voltage, so this might have been the cure.
Add the 67 to that, and this was more of an '80's thing. Because tape and hundreds or thousands of passes, HF deterioration every time. Also studio "mood enhancers" excited people but did no good for hearing.I think it was a contemporary trend. Most 90's and 00's mic mods were about making mics brighter. Adding more "detail". Most u87 mods were about removing hf attenuation.
True.And then trends changed, probably due to digital recording, everybody wanting flatter, "warmer" mics.
I have come across a few which they stuck to the script and just repaired the mic. Mostly I think the upsell was the deal.GeorgeToledo said:I guess he supposedly did do regular repair/non-mod.
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