chrissugar
Well-known member
I read for a long time many posts about the following situation and because I never heard a complete and correct analysis from a technical point of view I think it is the best place to ask the math and electronics gurus.
Let's say we have a mastering setup where the active loudspeakers are 5meter (15 feet) away from the mastering console. I mean we have five meter cables from the stepped attenuators to the amplifier input.
I'm interested what is in your opinion the best compromise for this situation, because if the stepped attenuator has large value the cable will act as a low pass filter, if the value is too low there is the risk that the stage before it will be loaded too much, if we use a unity gain buffer we loose some transparency of the signal.
Keep in mind that in any situation there should be no significant attenuation at 20K (lower then 0.5dB)
Let's say the input Z of the active speaker is 10K.
What is in your opinion (based on calculus and personal experience) the best value for the attenuator, the maximum acceptable capacitance of the cable, the length of the cable and if you feel the need for the buffer.
I know Bob Katz use a buffer made by Fred Forssell and others opt for similar solutions but also I know that others avoid the buffer.
What do you think.
chrissugar
Let's say we have a mastering setup where the active loudspeakers are 5meter (15 feet) away from the mastering console. I mean we have five meter cables from the stepped attenuators to the amplifier input.
I'm interested what is in your opinion the best compromise for this situation, because if the stepped attenuator has large value the cable will act as a low pass filter, if the value is too low there is the risk that the stage before it will be loaded too much, if we use a unity gain buffer we loose some transparency of the signal.
Keep in mind that in any situation there should be no significant attenuation at 20K (lower then 0.5dB)
Let's say the input Z of the active speaker is 10K.
What is in your opinion (based on calculus and personal experience) the best value for the attenuator, the maximum acceptable capacitance of the cable, the length of the cable and if you feel the need for the buffer.
I know Bob Katz use a buffer made by Fred Forssell and others opt for similar solutions but also I know that others avoid the buffer.
What do you think.
chrissugar