That is a very interesting document. Despite lots of searching for documentation on the use of Vatrols I have never come across it. Thank you for posting it
Back in the day when Vactrols roamed the earth that was easy to find. Part of the Pekin-Elmer required reading.
Most of the time, the signal across the opto will be small. For example, say you have a 2:1 compressor and set the threshold to -20dBu. You set the gain make up so that with 0dBu in you get 0dBu out. Since at 0dBu in you are 20dB above the threshold, the compressor should reduce the gain by 10dB and the make up gain will be 10dB. At this point the signal across the opto will be only -10dBu.
That still puts distortion well above what we would consider "low distortion" in today's world. You know, the one where people argue over which opamp has lower distortion (don't start me up). Obviously, this isn't a "today's world" project though.
In a typical implementation there will be threshold and gain make up pots in parallel with the opto so it is not unusual for there to be a 6dB loss with no gain reduction so the actual gain make up would be 16dB and the level across the opto would be -16dBu.
Of course makeup gain isn't free, and your non-sand thermionic gain devices will add noise in the process. Again, this clearly isn't a "today's world" project, so you're probably recording things onto tape where everything we're talking about is more than masked by its own noise and distortion.
The worst case for Vactrol distortion is when there is no compression at all. Perhaps this is why some people like to run there signal through opto compressors with no compression.
Cheers
Ian
Well, the worst case is the combination of high input levels and high attenuation, static gain or dynamic, where the Vactrol is the dominant signal modifier.
I've attempted to build compressors with Vactrols back when using the real PE VTL5C4/2 was just a matter of ordering up a batch from any supplier. I know, first hand, what their idiosyncrasies are, and tried to work around them. Many people did. But even when they were thick on the ground, they were not the gain control element of choice for pro audio devices. I think there was one I can think of. Everybody else, including all the sought-after classics, ended up using something else. I guess they don't count because of the silicon. I'll give you this: they're pretty simple to use, and the circuits you need around them to accomplish a compressor are fairly simple too.
If you're not making a commercial product, are you aware of the Raytheon Raysistor and the Sigma Data Cell? They are opto couplers too, but with incandescent light sources in them. I found a Raysistor on eBay and bought it as a trophy, as I used to engineer for a studio where someone built a custom console with them as the remote attenuator.
You might want to consider them, because even your Vactrol has a bit of "sand" in it.
Thanks for the explanation. I wish you the best.