pucho812 said:
don't believe the hype. Some parts are just expensive and there is a good reason.
and some parts are expensive because they sell so few that they are made by small companies, with high overhead costs, and low volume. So they are expensive because they are not popular.
Others well you can go cheap or expensive but does it improve the sound? Well maybe maybe not.
Design engineering involves understanding data sheets and applying components so they are operating within their linear design range. Expensive parts used wrong will not sound as good as cheap parts used correctly.
My buddy had some china 12AX7 tubes that sounded good awful in every amp he had except for one marshal 50 watt. It just sounded better with those el cheapo china tubes as a preamp.
Tubes can deliver a range of open loop gains when new and vary even more when used. Tube circuits can be conservative about closed lop gain so variations in the open loop gain makes less of a difference. While many guitar amps are operating WFO so the tubes and tube condition matters.
When it comes to picking parts, I never skimp on transformers and capsules. So much little science going on in those things.
I try to never use transformers because they are very expensive to make almost as good as a solid state interface. Capsules will be very significant to the final sound result.
Tubes I don't always go NOS nor will I go with expensive depending on the application.
NOS has to be a shrinking pool of parts unless counterfeited.
Pots I am more concerned with feel and even some expensive ones get scratchy over time. The universal 1176 has pec sealed pots and they get scratchy over time. I don't know how as they are sealed but after a while scratchy and you either replace them or carefully drill a tiny hole so you can deoxit them. I have not been 100% successful drilling in the hole as I have slipped before.
Pots wear out from use so being sealed makes only a marginal difference... Deoxit may postpone the eventual replacement but if you value your time , just go ahead and replace the worn pot.
Resistors, I am more concerned with tolerances and if they fit vs brand although there are guys you will tell you to use brand X as it sound best. I can't say that is true but hey if the tolerance is there well then maybe it does sound better, but is it brand X or part tolerance? I must admit though I do like to holco resistors for no other reason then they print the value on the part, no more having to read color codes. When it comes to SMT resistors, well if it fits, done deal.
There are valid arguments that too small SMD resistors have issues but generally resistors are low on the list of problem components.
Capacitors is a whole other thing. Does spending the money that some of those can command really worth it? I recently recapped some urei crossovers and the choices I had for cap went from reasonable ( 1-12 dollars range) to off the deep end with caps costing over 100 dollars for one. I can't see how buying a 100.00 dollar cap would really matter but maybe I am missing something there. In the end I went with the more economical caps that people around here had used before and said were good. They sound great and I don't the 100 dollar capacitors making that huge a difference.
Yes, capacitors are a whole thing... While they don't all have to be expensive, back in the day I used tons of polystyrene that only cost pennies and had a superior dielectric characteristic, but polystyrene caps were not robust enough for modern manufacturing processes so fell out of favor with manufacturers. These days a new generation of COG/NPO smd caps are decent.
If you are talking about "passive" loudspeaker crossovers that is a case where the rubber meets the road for capacitors. A 20uF DC blocking cap driving a 20 kOhm load is just loafing along, but a 20uF cap in a passive crossover driving an 8 Ohm speaker, is doing some serious work, so the sundry nonlinear (and linear) behaviors get exaggerated by the high current.
Of course instead of hundred dollar capacitors you can use an active crossover with cheaper or no (DSP) caps and bi-amp the speakers, so the caps are in a happy place and you can make a better crossover curve too. While it does require more amp channels.
I do not know if the $100 caps are worth $100 (probably not), but there is a valid justification for using better caps there.
JR