My apologies, ccaudle, and thanks for calling it out. You are, of course, correct in that I was being far too vague/casual. I will be more specific here, and also respond to a few of your helpful points. Thank you very much for that also!
First to summarize, I am discussing the differences between wiring the electronically balanced stereo outputs of a Grace M905 monitoring controller, into a passive box with two vintage Simpson VUs, fully balanced (pin 2 to one terminal, pin 3 to the other, ground floating), with a 3.6k resistor and a trimmer in series on one leg of the circuit, to one terminal per meter.
My theorizing in my previous post was regarding the fact that when I first got these meters - without doing a bunch of research - I hooked them up unbalanced, with pin 2 to one terminal, pin 1 (ground) to the other terminal of the same meter, and jumpered pin 3 (cold) to ground, and they behaved the most linearly and also similarly between the two meters that they have throughout my modifications of the configuration. I then went on to research, hook them up balanced, etc.. Responses below!
No. Audio is an AC signal, using just one leg of a balanced connection, the signal will still go above and below "ground" level. You need to know details of the output driver circuit to know how to correctly connect a balanced output to an unbalanced input. The only universally safe way (safe in the sense of not risking damaging the output, but also safe in the sense of having a predictable output level) is to connect a balanced output to a balanced input.
Definitely hear you and understood. I will follow up more below on that. What I was toying with was simply the idea of the postive and negative sides of a balanced cable being sort of in contrast with eachother voltage-wise.
What are you calling "posts"? Do you mean terminals of the meters? Can you be more explicit in what connection you are describing? Hot leg to one meter terminal, and also hot leg of the same channel to the second terminal of the same meter? That would be the same signal on both sides of the meter, no signal difference so no meter deflection.
I answered this one above and yes sorry - terminals of the meters.
Hot leg of one channel to the first meter terminal, and hot leg of the other channel to the second terminal of the same meter would show the difference between the signals, essentially a L-R meter, or a side meter if thinking of it in mid-side terms.
This is very interesting, and I did not know this. I bought vintage Weston meters that had wires cut off, with one wire incoming to one meter, and then jumpered over to the other terminal of the same meter. When I saw this, it prompted my question, but of course it is not correct for my application.
Thanks again, truly. It's a great reminder that thoroughness is welcome on this forum (when I have to temper that in other facets of my audio work!).
Best,
MG