Soliloqueen's k87(k67) and k47 capsules

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That’s about what I was expecting you to say! Ok, so my conceptualization tracks.

It can also sometimes be a good thing to have top end fall off a bit more when there is bleed, but it is subjective and context dependent.
It's honestly best to treat the flat k47 as an entirely different capsule. Someone on RGO described it as a "dark ck12" response which I understand (and it's very flattering). Obviously it doesn't have the pure rear rejection of a ck12 by a longshot in the mids or lows, but that sort of linear and broad off axis response is something the flat k47 shares. But without the actual depth of rejection, which is less than ideal if the room isn't great. It's definitely roomy capsule. It gets wider the further it goes down with all the benefits and detriments of that, which makes it a killer OH and instrument mic. You can get a focused HF sound and the even mid and bass response of an wider cardioid at the same time this way. a flat k47 is currently on permanent OH duty at rancho de la luna for this behavior. It's also fantastic on piano for the same reason. its use cases are very different than a regular k47.

To illustrate this, here's a neumann K47 (blue) vs a flat k47 (red) in 0 and 180 degrees:
64270-8b80e9aaf9e2ed81eb05870da32454d5.jpg

so yeah, it's considerably wider. The crossover in behavior in the lower mids is also way more graceful than the regular k47, which is why it doesn't have that kind of throaty ~400hz hump on proximity that the normal k47 has that I often hear on vocals on the m49
 
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It's honestly best to treat the flat k47 as an entirely different capsule. Someone on RGO described it as a "dark ck12" response which I understand (and it's very flattering). Obviously it doesn't have the pure rear rejection of a ck12 by a longshot in the mids or lows, but that sort of linear and broad off axis response is something the flat k47 shares.
What bodies/PCB’s are you using on these 47 Flats?

I’m building a couple of Dan PCB’s with your standard 47’s. But I also have a couple of the flat capsules too.
 
putting the first 10 in-house metal & plastic (& fr2) prototype capsules up on ebay. i don't have any reasonable use for them since they're out of spec at 5k due to not remembering that i altered the drawings to compensate for the big factory. Maybe you guys can find something fun to do with them.

Also, shipped a huge chunk of k87s yesterday and today. 30 orders. Closing in on having all of them shipped.
 
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I'm assuming they aren't up yet, but is there a keyword to search for other than the brand name?
they'll pop up here when i can photograph them all individually:
https://www.ebay.com/usr/arienneaudio

They're almost prohibitively expensive to make with in-house parts, not sure how many will actually be made compared to the mass production parts, especially with bakelite rings.
 
Yes, the flat k47 is almost a true cardioid. kingkorg tested this. The polar patterns are considerably different than a K47 (at least in pure 180 degree testing, the rear lobe is 6dB quieter and rear response is flatter than the k47). More stable and "correct" i suppose. That's why it hates being in cylindrical baskets so much compared to a regular k47 and why i always warn against it. a regular k47 is too narrow in the high end to pick up the reflections back from a cylindrical basket. the flat k47, being a more true cardioid, can pick them up (detrimentally). It's why I suggest the flat k47 primarily for M49 builds, where this isn't an issue. The flat k47 sounds great in an m49 body and pretty good in a u47 body, but anything smaller it starts to get grody. When I put one in a studio projects B1 it was legitimately unusable. Keep in mind that I am really mean and hyper-sensitive when it comes to sound. It might not be bad to someone else. But overall, it's very much a "scales depending on the attention you pay to the rest of the mic" capsule.

Have you or anyone else here comment on the F47 or K47 in the body of MXL 2001 (and associated) headbaskets? Granted, headbasket is not circular, but not exactly the same spaciousness as an SYT-5.
 
I use pair of F47 in HL77 body wich, is somewhat similar 87 styled headbasket, with Rogs' opic MP V1, and I really like them. Low end in directional patterns is huge though (promity effect), more so than other mics , don't know if it's the capsule influence in that particular behaviour (Ari has mentioned in conversations it does have some hefty low-end reach), or Rogs' very simple and transparent design, or basket itself... or a mix of all :D, but some high pass filtering is usually required when I'm using them. With the excesive low end out of the picture, they sound very natural and neutral, lovely really..
 

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