Ego Tripper
Well-known member
Hey guys,
Here's my situation. I recently moved into a new space with a couple of guys from my day job. Between the three of us (mostly them), we have a pretty respectable selection of outboard gear of which I would like to take advantage while mixing. Upon entering the arrangement, I had assumed they had a good way to do this already, but I guess I was wrong. The one engineer is currently mixing in-the-box, but would like to be taking advantage of his sweet outboard (hard to do in Pro Tools w/o HD's hardware delay compensation), and the other engineer tracks & mixes on his Mackie d8b / HDR24/96 combo, taking advantage of the outboard, but having to send his signal through multiple passes of sub-standard conversion with the d8b's insert points (not to mention the original A/D pass during tracking).
Not only would I prefer to avoid the d8b's converters when we have a pair of Black Lion modded Delta 1010s on the Pro Tools rig, but I'd really rather not deal with the headaches of transferring my existing Pro Tools sessions to the HDR26/96 (lots of non-contiguous audio files and FTP sucks).
So I figured I'd be mixing out of Pro Tools via the BLA-modded 1010s, into the various pieces of outboard, and summing through the "Sumthing" passive summing box that's there. The problem, of course, is that the Sumthing was not designed to do this, maxing out at 16 channels and lacking a way to pan signals (without taking up two inputs, limiting me to 14 channels or less and not even possible when the signal in question is going though any outboard after the DAW).
So the logical solution would be to build a passive summing box tailored for this scenario, which would need a way to pan signals. I found some 4P3T shorting switches, but this would just give me Left, Center, & Right. I often find myself panning things to the in-between positions (like toms and even guitars, to give a not-so-exaggerated spread at times), so Left-Center-Right would be pretty limiting.
The ideal part would be a center-detented 20K dual linear pot, but I'm finding it impossible to source these. Mouser lists the part from Bourns, but doesn't stock it (and doesn't even provide a factory lead time for it (which would suck anyway-- I have clients awaiting mixes)). Forgoing a center detent, I'd settle for stepped panning (and appreciate the recall-ability of such), but I'm having trouble sourcing the right switch configuration in a shorting (MBB) variety.
How bad would it be if I used a non-shorting (BBM) switch for a pan circuit?
Here's my situation. I recently moved into a new space with a couple of guys from my day job. Between the three of us (mostly them), we have a pretty respectable selection of outboard gear of which I would like to take advantage while mixing. Upon entering the arrangement, I had assumed they had a good way to do this already, but I guess I was wrong. The one engineer is currently mixing in-the-box, but would like to be taking advantage of his sweet outboard (hard to do in Pro Tools w/o HD's hardware delay compensation), and the other engineer tracks & mixes on his Mackie d8b / HDR24/96 combo, taking advantage of the outboard, but having to send his signal through multiple passes of sub-standard conversion with the d8b's insert points (not to mention the original A/D pass during tracking).
Not only would I prefer to avoid the d8b's converters when we have a pair of Black Lion modded Delta 1010s on the Pro Tools rig, but I'd really rather not deal with the headaches of transferring my existing Pro Tools sessions to the HDR26/96 (lots of non-contiguous audio files and FTP sucks).
So I figured I'd be mixing out of Pro Tools via the BLA-modded 1010s, into the various pieces of outboard, and summing through the "Sumthing" passive summing box that's there. The problem, of course, is that the Sumthing was not designed to do this, maxing out at 16 channels and lacking a way to pan signals (without taking up two inputs, limiting me to 14 channels or less and not even possible when the signal in question is going though any outboard after the DAW).
So the logical solution would be to build a passive summing box tailored for this scenario, which would need a way to pan signals. I found some 4P3T shorting switches, but this would just give me Left, Center, & Right. I often find myself panning things to the in-between positions (like toms and even guitars, to give a not-so-exaggerated spread at times), so Left-Center-Right would be pretty limiting.
The ideal part would be a center-detented 20K dual linear pot, but I'm finding it impossible to source these. Mouser lists the part from Bourns, but doesn't stock it (and doesn't even provide a factory lead time for it (which would suck anyway-- I have clients awaiting mixes)). Forgoing a center detent, I'd settle for stepped panning (and appreciate the recall-ability of such), but I'm having trouble sourcing the right switch configuration in a shorting (MBB) variety.
How bad would it be if I used a non-shorting (BBM) switch for a pan circuit?