sum to mono resistors and levels - dB ?

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Sleeper

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Joined
Jun 6, 2004
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649
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It's buried in a thread here somewhere, I've seen it...
but I just can't seem to find it :roll:
Maybe this would be a good piece to add to the mixers meta



Putting a mono switch into my monitor controller.
balanced 2k input impedence, balanced 2k out.

I want to keep levels from increasing when I sum to mono.
I'll need a small resistor network to drop a few Db,
but
how many DB should I drop?



I can figure out the resistors from NYDave's summing post and or tremaine
(I know some of you guys can do this stuff in your head, so feel free :grin:)
 
Well, 6dB is electrically a double in volume, so I would suggest a 6dB drop for combining stereo to mono.
 
[quote author="rodabod"]Well, 6dB is electrically a double in volume, so I would suggest a 6dB drop for combining stereo to mono.[/quote]

By definition, a stereo signal is composed of two different signals, so they won't add up to the full 6dB when summed. I say 3dB.

Going once, going twice...

Peace,
Al.
 
One speaker mono, or two?

For one speaker, I think you want double the power (6dB?). But for two speaker, keep it unity.

If its a purely passive summer I can't see how there will be a volume increase.....

Cheers,

Kris
 
a stereo signal is composed of two different signals, so they won't add up to the full 6dB when summed. I say 3dB.

Going once, going twice...
Al you win.:wink:

The discussion was pretty lengthy, lots of opinion, but 3db is what I remember. I'll try that on my mono setup...
(I hadn't been sure if it was 3 or 4)

For one speaker, I think you want double the power (6dB?). But for two speaker, keep it unity.

I have 2 speakers in this setup, are you sure it should be unity. I don't get why.
Here's a new question.


IF
summing 2 signals causes an increase of 6db (or a realworld-i.e according to experienced engineers and designers- gain of about 3db)
AND
the way my switch works is essentially a sum, followed by a wye.
AND
this is kind of a perfect wye, since the load impedence should factor in the same no matter what position (regular stereo and summed mono to 2 speakers) it goes down the same cables to the same amps and drives the same speakers.

:?:
Is there any loss when making a wye?

How do you calculate that ?

Thanks
Sleeper
 
oh yeah, and while I was writing this, along comes New York Dave (i.e. realworld) for confirmation.
excellent.
Sleeper
 
see now I go with 6dB ... I am influenced by the IN sync sinewave
not by the two independant signals ... mutual coupling sort of stuff

but I have made simple systems for people that offer both options
and the ProTools virtual mixer has a strange pan sum rule ... 2.5dB

not easy to get three VU meters to evenly track from right to centre/mono to left and have the -20dBFS signal show 0dB left to 0dB right while the mono VU stays solid at 0dB

Practel SDA's allow you to , with plug-in trim boards,
set your own mono level.

I like SDA's for these VU meter driver and distribution jobs. Y cord and resistive divider and summers always seem to cause trouble in the long run.
 
[quote author="NewYorkDave"]The level should drop by 3dB (half power) when summing to mono, if you don't want the apparent volume to rise.[/quote]

I don't quite undertstand this.... Can someone explain it to me?

As far as I knew, you would reduce by half power if you were at the speaker end. At your mixer, are you not simply dealing with voltage? I thought you would aim for half voltage (ie. -6dB).

Then, if two -6dB signals were reproduced, they would combine to form the same amplitude as a stereo setup?
 
The real-world answer is going to lie somewhere between, since a typical stereo signal is a mixture of correlated and uncorrelated information.

In terms of isolation--avoiding compromise of the individual channels--active summing is the best method to derive the mono signal, and in that case it's easy enough to adjust the levels experimentally to give the desired result.
 
I've always heard it was +3dB when you go from panning hard left to center, cause you are basically double bussing. I always believed that doubling the power only raises the level by +3dB.
 
[quote author="nacho459"]I always believed that doubling the power only raises the level by +3dB.[/quote]

With two sets of complex waveforms (like in the left and right of a stereo set) you will get +3 when summed. With two identical signals like a 1k sine wave you will get +6.
 
WARNING: ALTERNATE (possibly dissenting) OPINION
My custom monitor controller does not attenuate the signal when summing to mono.
And yes, I would have previously suggested that you drop 3db when summing.

-HOWEVER-
I added a "CUT Left" and a "CUT Right" switch to my monitor controller.

-SO-
When I switch to mono and cut one side, the volume does not shift at all!

-IN CONCLUSION-
If you want to properly listen in mono, do it using one speaker only.
 
[quote author="drpat"]If that's the vocals are the only thing that increase by 6db when you hit the mono button, then you have bigger problems with your mix anyways. [/quote]I don't understand your false extrapolation, but perhaps I wasn't clear enough in what I intended to point out in my original post. I'll be more clear this time.
If the vocal is centered (which is a pretty typical placement), then summing the left and right channels will cause it to increase in level by 6dB.
When mixing, there is a specific SPL that I use consistantly when doing vocal rides -and I am typically making level changes on the order of tenths of a dB. If the summing changes the absolute level it can introduce uncertainty into the process.
Swiching to a single speaker while listening in mono is the best solution for me, but a variable dim on the summing function can also be very useful.
 

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