barthman.de said:
I finished a G9 which I made "my own way" - some pics you can find here ... http://www.groupdiy.com/index.php?topic=48522.0
But I have some questions:
1) Hum
Before you start chasing ghosts, I'd humbly suggest you check 4 things related to correct gain staging.
1) The G9 is a mic pre. I'd therefore suggest that you test it with a 200 ohm shielded resistive dummy load on the input (not a live mic, even if it has an output impedance of 200 ohms), and perhaps a 600 ohm shielded resistive dummy load on the output. Your A/D converters might only present a high impedance load (>10K)
2) What is the noise floor of your measuring set up (200 ohm shielded resistive dummy load connected directly into your converter via the same XLR test cables, without the G9 in place)? In other words, is the limit the G9, or the native noise in your test set up/ converters?
3) What is the calibration on your graph? Does -102dB correspond to -102dB relative to digital Full Scale Deflection (FSD) or relative to +4dB into 600 Ohm or what?
What signal level would 94 dBA SPL directed into your mic correspond to at the same gain setting at the output of your G9?
[an SM57 has a sensitivity or open circuit voltage of -56.0 dBV/Pa* (1.6 mV) *(1 Pa = 94 dBA SPL @ 1KHz) at the input to your G9. A G9 will generally produce around 56dB or so of gain when cranked up near max, but you should measure that. That'll give you around 0BV (1V) of signal. 94dBA SPL @ 1KHz is a pretty loud source but not excessively so]
4) How much signal voltage can your A/D converter take before it clips (0dB Digital FSD)?
So what signal can you aim to have at the input to your A/D whilst still allowing 20dB for dynamics and 6 dB of cushion to avoid digital artifacts? Is your G9 gain too high, so that the A/D is in danger of digital clipping? Do you need to turn the gain down?
Then you can work out your equivalent signal to noise ratio at the input and output under real use conditions, which is IMHO more important than the absolute level of the noise at the input or output, and something you can compare with other people's builds. Equivalent Input Noise (output noise + gain) should be around 120dB or even better, resulting in a real life s/n ratio of ±66dB at nominal signal level, whilst still allowing you to keep 20dB or more of headroom for dynamics/ peaks + 6dB cushion.
That'll tell you if you're listening to fleas coughing or not.