tube noise

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I think others have already stepped on these stones, but anyway....

> My gut feeling is that tubes make sense for higher-output cartridges (3.5mV at 5cm/sec and up) but they're marginal for cartridges with outputs lower than that.

No: phono pickups evolved so that the noise of the tube would not be a problem.

The moving-magnet design is not the easiest way to get a smooth high-end, but does allow lots of turns for high output.

Purists who went moving-coil for smooth high-end got very low voltage, down in the tube noise; but also low-Z so a transformer would bring the voltage up above tube noise. Hey, it works.

> if the noise from the mechanical tracing the vinyl is much higher than the thermal noise of the pickup coil (is it?)

For standard Shure/Pickering/Grado needles on vinyl, for any non-crappy conventional preamp, the surface noise is higher than the electronic noise.

BUT: what you really need to look at for phono-preamp noise is the noise below 1KHz. RIAA EQ for magnetic cartridges is a mild bump on a 6dB/Oct slope. There's a LOT of bass boost and treble cut. Phono preamps don't so much hiss as rumble randomly. So the conventional flat-amp concepts can lead you astray. 1/f noise will often be a bigger problem than straight thermal noise. Device specs often omit this data. And I have a feeling that the TV Tuner tubes, kings of Hi-Gm, were not tested for 1/f noise because it does not affect 50MHz+ operation. What little I know of thermionic 1/f noise is that you may have to sort several batches of tubes to get a few really good ones.

Surface noise is semi-flat, though to the ear it is mostly highs. So comparing surface noise hiss to amplifier noise rumble is apples to pears.

In a no-holds-barred design, current is a free variable. Since Gm rises with current (but not so fast), you might look at BIG current. 8417 working at 50mA-100mA in triode has Gm near 20,000uMho, Rk 50 ohms, noise resistance 125-150 ohms. I think as triode the Mu is around 18, so you can get some voltage gain. (However, grid-current noise on this beast may be non-negligible on a 47K-loading pickup.)

Conventional pickups work fine with 6SL7 or 12AX7 at 0.5mA-1mA (Dyna PAS), noise resistance of several K ohms. They were made that way. I think of "conventional" as "5mV"; if your 3.5mV is measured the same way, I'm sure a conventional tube preamp is fine. If you are fussy, you may reject 20% of tubes instead of 5%; a good preamp has another socket where you can use noise-reject first-stage tubes.

If your 3.5mV is Max, like a conventional needle gives 30mV-100mV Max, then tubes won't compete with transistors.

> a tube computer, where losing a flip flop somewhere could bring computations to a grinding halt.

Ah, but today we have Windows!

I had a new-build PC, loaded WinXP, surfed the Web, a few stray small oddnesses. The one thing it would not do is finish installing MS Office. After a day reformatting, I ran MS RAM Diagnostic. This found hundreds of RAM errors in 5 minutes: bad memory (flopped flip-flops). Yet Windows ran, and nearly normally.

How much pointless code is in there, that massive memory errors never caused a grinding halt, or even a "You see that?!!!" obvious screwup?

> Audio Research..... SP11, was a hybrid design.

So was my ~1958 ArKay. Looked like classic 6V6 mono amp, but had one transistor hidden in the phono stage.
 
[quote author="jhaible"]
is about 0.24uV, for a signal-to-noise ratio of 82.5dB. (The Shure has a 3.2mV nominal output at 5cm/sec.) Not too shabby!

Okay, what is the equivalent noise resistance which would get you that noise level in a system with no current noise, just voltage and Johnson noise? Answer: about 1650 ohms. The cartridge is about 900 ohms of that, so the additional allowable noise resistance is about 750 ohms. Let's assume that a tube's plate resistor is 100k and the gain is 31.6 (just to make the math easy), so the plate resistor contributes 100k / 31.6^2 or 100 ohms to the noise. Now we can allow 650 ohms from the tube; turning the noise resistor equation inside out, that means its transconductance needs to be 3.85mmho -- excuse me, mS. Several tubes will do that, including the 6DJ8 and its derivatives. So a good tube design will achieve the same S/N as a 5534a on a Shure V15etc. cartridge.

What about your lower-output cartridge? For that, we have to divide the total acceptable noise resistance of the Shure, 1650 ohms, by the square of the output ratio, 1.5 / 3.2. That works out to 363 ohms. The cartridge is 160 ohms, leaving you only 203 ohms to play with. Even ignoring the plate resistor, this is the equivalent of using a tube with transconductance of 12.3mmho (I'm sticking with the old name, dammit). That pretty well dictates a 6DJ8, running pretty hot. And you do have to allow for the plate resistor...

Okay, let's take a looser criterion. I personally find the noise level of a Shure V15etc. operating into a Dynaco PAS preamp to be acceptable; it's certainly way, way below any surface noise. Playing around with the numbers to find total noise resistance, we get 800 ohms from the cartridge and its load resistor, 1k from the unbypassed cathode resistor, 1667 ohms from the tube itself, and a measly 83 ohms from the plate resistor. Add them all up, you get about 3550 ohms -- again, this is my acceptable figure for a Shure cartridge.

Once again, divide by ( 1.5 / 3.2 )^2, and the net result is 780 ohms. Subtract 160 ohms for the cartridge and you're left with 620 ohms. Even taking out 100 ohms for the reflected plate resustor, you have 520 ohms. That's the equivalent of about 4.8mmho, and again there are several tubes that will do this if you give them enough current.

So the answer is, given this slightly relaxed criterion (the Dynaco's S/N with the Shure is about 79dB, which isn't bad at all), yes, you can use tubes to amplify your cartridge and get quite acceptable results. I stand corrected, by my own numbers.


I must admit that the method looking at equivalent resistance values is not that familiar to me yet, but something strikes me as very odd: If these calculations are right, then amplifying the low output system would be less demanding for the input tube (4.8mmho) than for the higher output system (12.3mmho) for similar results. That's hard to believe.[/quote]

Check out my examples again:

Moderately Stringent Criterion: As quiet as Shure V15etc into 5534, using a tube with bypassed Rk:

Tube for Shure 3.2mV 815 ohms cartridge: 3.85mmho
Tube for 1.5mV 160 ohms cartridge: 12.3mmho

Looser Criterion: As quiet as Shure V15etc into Dyna PAS, using a tube with bypassed Rk:

Tube for Shure 3.2mV 815 ohms cartridge: 0.91mmho (not given in original example)
Tube for 1.5mV 160 ohms cartridge: 4.8mmho

To achieve either criterion, you need a quieter (higher-gm) tube for the lower-output cartridge.

Peace,
Paul
 
[quote author="pstamler"]
Check out my examples again:[/quote]

Sorry - I should have read it more carefully.
Or I shouldn't sit at the computer with the flu and 40deg C fever at all.
Thanks for writing all this down. I'll try to read it again when my head is clearer.

JH.
 
[quote author="PRR"]
No: phono pickups evolved so that the noise of the tube would not be a problem.

[...]
If your 3.5mV is Max, like a conventional needle gives 30mV-100mV Max, then tubes won't compete with transistors.
[...]

> Audio Research..... SP11, was a hybrid design.

So was my ~1958 ArKay. Looked like classic 6V6 mono amp, but had one transistor hidden in the phono stage.[/quote]

My Denon DL 110 has 1.6mV (1kHz, 50mm/s, horizontal direction).
I conclude that this type of "high output" MC cartridge has evolved in a time where transitor phono amps were widespread, and loosing 10dB of signal level would still give enough SNR on these.
And, on my cheap Sony F-190 amp, this is really no problem. I have to turn the volume way up, but still have no problem with noise.
So probably it isn't a good idea to build an all-tube preamp after all.
I'll try to locate these Audio Research SP11 schematics.

JH.
 
[quote author="jhaible"][quote author="bcarso"]
There is a good discussion of noise estimation for phono preamps with RIAA EQ in some National Semi documents, taking noise voltage and noise current into account (the latter generally negligible with tubes and FETs).
[/quote]

This one?
http://www.national.com/an/AN/AN-104.pdf#page=5

JH.[/quote]

Yes, that's the one updated from the Audio Handbook. Very handy indeed.
 
[quote author="PRR"]
> Audio Research..... SP11, was a hybrid design.

So was my ~1958 ArKay. Looked like classic 6V6 mono amp, but had one transistor hidden in the phono stage.[/quote]

I looked up the Audio Research circuits.
That SP11 is a mind-boggling design.
http://www.soton.ac.uk/~apm3/diyaudio/SP11.html

They start with a JFET (common source) stage.
Then there is a p-JFET source folower, driving the cathode of a 6DJ8 in common grid mode. That tube is buffered with a MOSFET source follower, with local feedback to the tube's grid.
Then, a 6DJ8 with such a high cathode resistor that it barely provides any gain - probably just for phase inversion?
Then, another p-JFET source follower, driving 6DJ8 common grid mode, MOSFET sorce follower, local feedback.
And over these 8 active devices, a global feedback with the RIAA equalisation network.

Wow. I'm sure I don't want to go there. Though I must say, It's a joy to look at this circuit. :razz:

JH.
 

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