Most of sensible audio designers avoid them. I don't know how Neve deals with them failing...?Khron said:The title's a bit of a spoiler : "Big reveal" section starts around 20:12.
https://youtu.be/9inGSp2QnfI?t=1212
abbey road d enfer said:Most of sensible audio designers avoid them. I don't know how Neve deals with them failing...?
RuudNL said:Geoff Tanner (ex Neve) always says that "these tants aren't there without a reason".
He also discourages to replace them with aluminium capacitors, "because it changes the sound".
I seldom had a defective tantalum as a coupling capacitor, most of the time they fail when used over the supply rails.
+1RuudNL said:I seldom had a defective tantalum as a coupling capacitor, most of the time they fail when used over the supply rails.
Yes. And smaller. And the electrolytics will work in the circuit. And I'm sure neither Neve (or Neumann) choose them by ear.Khron said:Weren't they just (at least considered) better than the electrolytics of the day?
[silent:arts] said:Yes. And smaller. And the electrolytics will work in the circuit. And I'm sure neither Neve (or Neumann) choose them by ear.
But if you don't want to change the sound, use the same parts (in the audio path).
The benefit of tantalums is their longterm stability, aging is no a problem.Khron said:... Although one must wonder how much of the "sound" is due to the aged (and potentially degraded / failing) nature of the cap
Exactly..... especially when they are used near their limits e.g. a 25V rated tantalum at a 24V power rail or a 10V tantalum with a 9V power rail. Tantalums don't forgive overvoltages - some spikes at the power rails and they are gone.RuudNL said:....
I seldom had a defective tantalum as a coupling capacitor, most of the time they fail when used over the supply rails.
abbey road d enfer said:Most of sensible audio designers avoid them. I don't know how Neve deals with them failing...?
I find it hard to believe. IMO it's just perpetuation of a myth.RuudNL said:Geoff Tanner (ex Neve) always says that "these tants aren't there without a reason".
He also discourages to replace them with aluminium capacitors, "because it changes the sound".
They do fail dramatically when exposed to overvoltage, but also they sometimes leak in a very sneaky manner, so they "work" but they also tend to displace the operating point, which changes the "sound" in a gradual manner that makes it hard to detect.I seldom had a defective tantalum as a coupling capacitor, most of the time they fail when used over the supply rails.
Absolutely right but their development since then has been almost continuous. Early types were wet electrolytics, dry electrolyte types began to appear in the mid 60s but still did not have the volumetric efficiency of tantalums. Then in the 80s and 90s various new solid electrolyte were developed that significantly reduced ESR and enabled higher temperature operation.PRR said:> Neve used them back in the 70s ... before aluminium electrolytics had been invented...
As I bet you know, Al electros go back before the 1930s and were VERY common in mid-1930s radio sets.
Didn't know that and I cannot find any info on dry elecs at that time. Who made them?PRR said:Dry electrolytics were commercial at the end of the 1930s.
Have you positive proof that tantalums achieve better performance than Al in this circuit.EmRR said:My RCA BA-71’s rebuilt with tants sound substantially different than those with standard electrolytics. I’ve 4 of each. Distortion. The tants are great on drums, not much else.
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