I think you're going about this backwards unless you're just interested in the academic aspect of it.
In a design, you typically have a goal, for instance, I need to reach 90dB of audio, full range, at 10 meters and cover 120 degrees of dispersion.
From there you have some definite targets. Check out the frequency response of the drivers, check their efficiency, figure out what their max SPL is, then figure out what it would take to reach your goal, if it's even attainable with that specific driver. If not, move along.
Most portable PA style speakers have settled into 2-way designs for a reason.
Most high performance concert systems have evolved to what they are for a reason as well.
Just my 0.02
In a design, you typically have a goal, for instance, I need to reach 90dB of audio, full range, at 10 meters and cover 120 degrees of dispersion.
From there you have some definite targets. Check out the frequency response of the drivers, check their efficiency, figure out what their max SPL is, then figure out what it would take to reach your goal, if it's even attainable with that specific driver. If not, move along.
Most portable PA style speakers have settled into 2-way designs for a reason.
Most high performance concert systems have evolved to what they are for a reason as well.
Just my 0.02