Hi
I have re-built several of the Alter 436 compressors. I have worked on gear from the 1920's on up.
I used to service recording studios in LA in the 1970's and 80's.
A. My solution to the 436 was to take the 6bc8 out and use a 6gh8, 6an8, pentode to split-phase inverter to kill the imbalace problem in the dual triode, unless a special 6bc8 from Altec. Control the grid of the pentode, cap couple to the triode phase inverter.
B. Put another 6al5 in parallel to lower the voltage drop, or feed the Dc into a op-amp to get more DC gain.
C. Use op-amps to make a voltage follower and just forget the 6al5.
6bk7, 6bq7, 6aq8, 6bz8, 12at7, and a few more do the same as the 6bc8, and have different grid control curves.
You can try another dual triode in the front end.
The gain stage works like this.
These tubes were used for TV tuners so they have the ability to "variable Mu" or gain more than standard tubes.
The -DC from the 6al5 lowers the gain of the dual triode. The 6al5 needs a certain amount of AC to "Turn on" as it has a operating curve, and that is the threshold. When the AC on the primary of the out trans, (higest voltage point as the line out trans steps down), is high enough, then -DC comes out of the 6al5 and lowers the gain of the 6bc8.
The problem with this circuit is that the 6bc8 from ALTEC was made special for this bad circuit. If there is any imbalance in the gain of the two triodes, then the drive to the 6cg7 is off, and the compressor "thumps" or worse.
This guy was designed to go into a PA system with no response below 350 Hz so you never heard it at your local high school when the principal was chatting away.
You have to really spend a lot of time studying all the tubes made to get some ideas as to how they were used.
i can post some circuits, let me know.