Looks like it will be effective! I would start there and listen a measure. Decay time plots will tell you if you have ringing modes, ETC will show detrimental early reflections, and freq response plot will help fine- tune your listening position.
If you add these, maybe have them straddle the wall- ceiling corners and you’ll help with the axial L-R mode, the Axial height mode and tame more reflections. A triple-play!Ah ok so two more panels in the top corners between the side walls and cloud.
I’ll move the two behind the desk which are just holding up the front wall centre one
Also for the monitor listening position you need to make sure that on walls either side between your ear position (projected laterally to the walls) and the monitor faces and travelling to well behind the ears, plus above and below ear height is covered to avoid standing waves and comb filtering between the opposing side walls.The middle vertical panel could go horizontal and as I said the two that are underneath could do the sidewall ceiling positions.
Behind the mix position I have two panels vertical but also could have these next to each other rather than stacked
You don’t need any absorption below about 3’ above the floor. You won’t hear any reflections from down there, so the panels should cover arrears around your head height when sitting and standing.The middle vertical panel could go horizontal and as I said the two that are underneath could do the sidewall ceiling positions.
Behind the mix position I have two panels vertical but also could have these next to each other rather than stacked
Do you find tube traps have real-world advantages over non-round velocity absorbers? Particularly for LF issues?Properly dimensioned tube traps in the rear corners can solve any issues you may have based on whether you have any standing waves relative to the floor to ceiling height or corner diagonals. You could have a look at what’s coming back to a mic from white noise generated from the monitors to see if there are any large peaks or troughs.
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