norman_nomad
Well-known member
Here are a couple more listening samples if anyone is interested.
The first one is the source file, and the second one has been passed through one of the stock channels set on its internal clock.
http://www.musicians-samples.com/Original - Palo Alto.wav
http://www.musicians-samples.com/Stock x 1 internal clock.wav
So after MANY different listening test, I've decided that these converters sound just fine without any mods...
The ONE things, however, that really bugs me about the stock channels is the apparent high-end boost I hear after running something through them... it's subtle... but its there and I find it a bit abrasive. (Flip the phase on the source file and line it up the stock x 1 file to hear the extra high frequencies).
Question:
1. How could I smooth the high end on these converters? Does the small 3n3 cap (actually a 1n8 cap on mine) right before the a/d inputs have anything to do with this?
Any comments would be greatly appreciated!
The first one is the source file, and the second one has been passed through one of the stock channels set on its internal clock.
http://www.musicians-samples.com/Original - Palo Alto.wav
http://www.musicians-samples.com/Stock x 1 internal clock.wav
So after MANY different listening test, I've decided that these converters sound just fine without any mods...
The ONE things, however, that really bugs me about the stock channels is the apparent high-end boost I hear after running something through them... it's subtle... but its there and I find it a bit abrasive. (Flip the phase on the source file and line it up the stock x 1 file to hear the extra high frequencies).
Question:
1. How could I smooth the high end on these converters? Does the small 3n3 cap (actually a 1n8 cap on mine) right before the a/d inputs have anything to do with this?
Any comments would be greatly appreciated!