abbey road d enfer said:
Welcome to the DIY group, Mr. arnyk.
May I suggest you re-read the OP?
"I need to get some kind of professional audio analyzer. I need something that has choices for different signal generator output loads, like 150/200 ohm for mic preamps (I build a lot of those) and 600 ohms for vintage gear."
I suggest that when you quote, you don't cherry pick the info you want to use to try to make someone look inattentive
, but try to be faithful to the OP which among other things also says:
http://groupdiy.com/index.php?topic=62070.0
"My head is a-spinning with the possibilities:I need to get some kind of professional audio analyzer. I need something that has choices for different signal generator output loads, like 150/200 ohm for mic preamps (I build a lot of those) and 600 ohms for vintage gear.
My head is a-spinning with the possibilities:
- AP System 1 or 2. Yeah, it's old, but so am I. Hell, I'm still running ProTools 5 on OS9....
- Sound Technology 1710A. Old but it does have 150 and 600 ohm outputs.
- Quant Asylum QA401. The new version is available with differential in and out. Not sure how to get the 150, 200 and 600 ohm outputs I require - pads? Pardon my ignorance.
- RMAA with 24/192k USB interface.
I appreciate your sharing experience with which of these tools you've had good luck with recently. Thank you!
"
This amazingly led to strange comments that were critical of alternatives that failed to provide +30 dBv native outputs (for testing mics- what are you thinking?) and seem to suggest that most 24/192 audio interfaces have outputs low passed @ 0.25 FS.
To try to clarify:
(1) Testing mic preamps up to 20-44 KHz is a good general solution because most mics and mic preamps aren't designed to go much higher than that. So a sample rate 96 KHz solution is the most that is necessary.
(2) Providing source impedances of 150/200/600 ohms involves obtaining a couple of inexpensive readily available resistors for each impedance that you want to support. You don't need to spend the big bucks to get specific source impedances.
(3) AP S1 systems are still pretty impressive, but are complex and relatively expensive as general lab for a small lab goes. Like I said, I have 2 that work well and are store room queens.
I don't have any experience with ST 1710s, but if you have an AP S1 or two and a HP 339, do you need much experience with it ?
(4) I personally don't get the QA 400/401 given the other audio interfaces and adapters and test rigs I already have. Several of them handily outperform it in terms of THD+N. The software support seems less than I'd hope for.
(5) RMAA is a prepackaged suite of tests for audio interfaces and the like, and a fairly basic FFT analyzer. There are many other solutions that have already been described and discussed and may be more relevant. It is a great stasrting point, and it is very good for what it is good for.
I'm getting more frustrated than I want to be with the petty picking, creative editing, etc. This conferencing stuff is supposed to be fun and helpful, but right now, not so much. I've tried to treat it with humor, but here we are again. Is this my invitation to leave?