Hi Bernd,
Thank you so much for the quick reply.
In mastering work EQs, compressors, limiters or simply a trick are welcome, with the engineer's goal to get the best result obtainable always with a touch of personal taste, you know.
I read a lot of good things about this piece of gear and all the guys who have it or just trying it were impressed using it on bass sounds, drums and vocals as well.
So I thought, if it works well on sounds as bass and drums it could be a good tool to use in studio to achieve a particular effect by exploiting his character since it is very rich in harmonics due to the special design of its circuitry plus the features you added as variable attack/release time.
I have already received the PCBs from Tony, thanks for that, and I'm ready to start to build it.
I hope that will be more than someone who wants to use it for the same purpose in order to exchange ideas and solutions to get the most out of it. Andrea
Thank you so much for the quick reply.
In mastering work EQs, compressors, limiters or simply a trick are welcome, with the engineer's goal to get the best result obtainable always with a touch of personal taste, you know.
I read a lot of good things about this piece of gear and all the guys who have it or just trying it were impressed using it on bass sounds, drums and vocals as well.
So I thought, if it works well on sounds as bass and drums it could be a good tool to use in studio to achieve a particular effect by exploiting his character since it is very rich in harmonics due to the special design of its circuitry plus the features you added as variable attack/release time.
I have already received the PCBs from Tony, thanks for that, and I'm ready to start to build it.
I hope that will be more than someone who wants to use it for the same purpose in order to exchange ideas and solutions to get the most out of it. Andrea