Matt Syson
Well-known member
Interesting discussion here.
The data sheets for off the shelf SMPS units are interesting and give a clue to what is needed. The concept of 'bunging an off the shelf' unit into a box is rather limited as actual compliance with full regulations falls to the user(installer). The test methods used by the SMPS manufacturer are documented. There are various environmental advantages and disadvantages of the move to switchmode supplies/ Dumb blocks of iron with some copper wire wrapped around it have a certain charm compared to sophisticated SMPS designs including power factor correction as the output noises can be quite complicated requiring significant filtering. Mind you I believe power factor correcting a 400 Watt 'conventional' supply (transformer/rectifier regulator setup) can be significantly expensive.
By the way, anyone have any thoughts about sum and difference frequencies when using multiple switchmode 'modules' in a 3 or 4 rail (typical audio unit) design?
Studio Sound magazine (as was) had a couple of articles discussing 'excess distortion' on mixing desks using early switchmode supplies (compared to the usually supplied 'linear' power units.
Regards and all the best to all for the holiday season
Matt S
PS, don't mention Brexit, where UK certification will be another kettle of fish, or is that no fish?
The data sheets for off the shelf SMPS units are interesting and give a clue to what is needed. The concept of 'bunging an off the shelf' unit into a box is rather limited as actual compliance with full regulations falls to the user(installer). The test methods used by the SMPS manufacturer are documented. There are various environmental advantages and disadvantages of the move to switchmode supplies/ Dumb blocks of iron with some copper wire wrapped around it have a certain charm compared to sophisticated SMPS designs including power factor correction as the output noises can be quite complicated requiring significant filtering. Mind you I believe power factor correcting a 400 Watt 'conventional' supply (transformer/rectifier regulator setup) can be significantly expensive.
By the way, anyone have any thoughts about sum and difference frequencies when using multiple switchmode 'modules' in a 3 or 4 rail (typical audio unit) design?
Studio Sound magazine (as was) had a couple of articles discussing 'excess distortion' on mixing desks using early switchmode supplies (compared to the usually supplied 'linear' power units.
Regards and all the best to all for the holiday season
Matt S
PS, don't mention Brexit, where UK certification will be another kettle of fish, or is that no fish?