OK, more precisely, why do "home builders have a line that says "occupation" so they can charge an extra 50K for anyone that is a lawyer".
Probably a joke, but I just don't get it...
Probably a joke, but I just don't get it...
In the context of a book on VLSI it seems reasonable to focus on hf aspects.I completely understand that. But as I mentioned, the description is lousy within the context of CMRR. What if medium or low speed transmission? Low source impedance is still the desirable design parameter. But you are correct, say, if the authors limited the discussion to high speed.
It's not my understanding. According to the website:In relation to the cosmos tweak app when we vary the proportions of 2nd and 3rd D. , I think what were actually doing is compensating for the effects of imbalance at the input to the ADC , both in the cables and any mismatch in the output drive circuitry of the device on test
Thanks for these documents.Heres some new data about the 9822 ADC . the newer documents relating to the 9038 are also available ,also worth a look . Not sure are these releases are official or not but at least we dont need to sign the non dis anymore , F&^%$rs
Ok I forgot to x1.5 the 110 pf/m
The overall lenght of the cable itself is 136cm ,not including the xlr's ,
Thats calculates out at 149.6 pf ,
If we want to drill down further we could add in the fact that 15mm at each end of the cable has the screen paired back and the conductors are spread apart, so lets deduct another 30 mm from the equation to account for that .
146.3 pf ,
Originally I measured at 1khz ,
I took another measurement at 100hz on the meter it came out at 148.2pf , fairly close to the calculated value and allowing a couple of pf for the connectors , no ghost in the lcr machine .
The Belden starquad cable comes outs at 129pf per meter across the conductors so not much more than twin core.
So if we want to use two or four core screened cable unbalanced which is the correct end to connect the screen , instrument or amp end of the cable ?
Electric guitars are getting difficult to record with all the RF mush floating around , for the the extra freedom from noise it might be worth a try , ok we take a hit on cable capacitance compared to typical low noise single core guitar cables .
Just found this ,
http://www.shootoutguitarcables.com/guitar-cables-explained/capacitance-chart.html
Simulation seems to indicate that connecting the shield at one end and using the conductors as signal and ground could result in better rejection of parasitics magnetically induced into the cable, for frequencies in the audio range, without any difference at RF.So if we want to use two or four core screened cable unbalanced which is the correct end to connect the screen , instrument or amp end of the cable ?
Electric guitars are getting difficult to record with all the RF mush floating around , for the the extra freedom from noise it might be worth a try , ok we take a hit on cable capacitance compared to typical low noise single core guitar cables .
The problem with this arrangement is that active electronics are needed, close to the instrument. It can't be passive, because even with the best available xfmrs, it's a tone-killer.There are, of course, options to transform the Hi-Z output to Lo-Z and balance. And also to go back to Hi-Z at the guitar amp end if that is important for you.
The problem with this arrangement is that active electronics are needed, close to the instrument. It can't be passive, because even with the best available xfmrs, it's a tone-killer.
AFAIK, there are (were?) a few commercially available systems. Some relied on phantom powering, others on battery operation. Some used balanced connections, others are unbalanced . Actually, a standard DI box is an adequate solution in most cases, except that they lack the interaction between the cable capacitance and the pick-up's inductance. Very few DI's include a "cable compensator".
At the other end, it is essential, in order to realize the interaction with the amp's input, to convert the low-Z signal to a signal comparable to that of the instrument, i.e. with adequate level, but also presenting the correct source impedance. The actual "re-amp" systems can be used for that task; however, many do not model satisfyingly the source impedance.
Thats the old guitar cable trick, shield at the amp input and run hot and ground as the "balanced" wires. It really makes a difference.Simulation seems to indicate that connecting the shield at one end and using the conductors as signal and ground could result in better rejection of parasitics magnetically induced into the cable, for frequencies in the audio range, without any difference at RF.
Since electric guitars are usually floating, the noise mechanism is not the same as connections between pieces of mains-powered gear.
Noise levels generated there are dwarfed by noise directly induced into magnetic p/u's, both magnetically and electrostatically, though.
A similar simulation applied to non-floating unbalanced equipment shows that using 2cond+shield cable with the the shield connected at the source results in better RF noise rejection.
The load presented by the loaded transformer will take care of it. A passive guitar is supposed to see a minimum load of 250k, preferrably 500k or 1Meg.handy thing is we have no unbalanced cable to eat away at our high end
Enter your email address to join: