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MicMaven

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Joined
Jun 4, 2022
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Occasionally, when I cannot sleep, I find myself in the workshop making something I don’t need, but it is good therapy and takes my mind off matters keeping me awake. I am retired and, while do not miss my old job, I do miss being productive.

Handheld Condenser Project No. 62024B -

This model is constructed with a new, unmarked $14 Shure Beta 57a microphone handle, a $3 grill, an electret circuit board, and $10 condenser capsule, all purchased on eBay.com sometime ago and just collecting dust in my parts closet. The capsule mount is a hand-cut PVC pipe fitting shaped to suit the purpose. The capsule is mounted on toothpicks set in holes I drilled in the PVC bit, affixed for all time with with excessive globs of CA glue. The last image depicts one of my little watchmaking desk vices which are very useful in this type of project. Every man needs at least one vice, eh? :)

That’s it. Nothing fancy and certainly no big deal, but it sounds OK and provides a low cost, yet effective, microphone with computer speech recognition software and (with 10dB attenuation) with an amateur radio transceiver. The photos tell the rest of the story. As always, it is gratifying to enjoy that sweet sense of personal satisfaction derived from a successful home-brewed project. A man needs a hobby, right? // James

(PS - I cannot decide which grille I like better. )

handheld condenser build dual 1.jpgHANDHELD CONDENSER BUILD 1 A  IMG_7379.JPGHANDHELD CONDENSER BUILD 1 A IMG_7337.JPGhandheld condenser build 1 AIMG_7354.JPG
 
Toothpicks! Of course! Great, simple solution.

I've been toying with an idea of making front address mics in BM-800 bodies. And for lamentable lack of a 3D printer I was dreaming up some complicated constructions.
Silly me. Toothpicks, matches - ready-made, slightly vibration dampening supports.
Thank you 😉
 
Toothpicks! Of course! Great, simple solution. ........Toothpicks, matches - ready-made, slightly vibration dampening supports. Thank you 😉

I have a similar notion of using stiff wire, like stiff 12 or 14 gauge copper wire and drilling holes in the base and a PVC ring, which would be more stiff and secure.

Another notion I once used was a foam foot made from a lavalier size pop filter. I ran the wires from the capsule to the board through the foam and let the capsule sort of float in the middle of the head basket. Worked a treat. See photos.

I made an end-address model with a bit of flat aluminum bar stock and a 25mm PVC pipe hanger that can be glued or screwed to the bar stock. This works well and can be sized to fit the space. See Photos.

Crazy, eh? Thanks for the kind words - James.

foam filter capsule support  IMG_1660.JPGFoam filter capsule support IMG_1650.JPGEnd Address Condenser 1 c cr 8x10 vIMG_7083.JPGend address condenser capsule mount 1 IMG_7052.JPGEnd address condenser inner frame rear IMG_7062.JPG
 
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Same here with wires. But only as an (abandoned) idea - I wanted something that dampens vibrations. Or at least does not conduct them as metal does. So toothpicks/matches feel better.
Set in large holes, in a rubbery base, filled with silicone, for additional dampening.

The PVC clamp is great too!
Funny I didn't think of it having already used such clamps to hold my mics on a lenght of a tree stump in "tree ears" array. And for other, experimental placements. And to hold my OPICs in BM-700 bodies (large clamps) in ORTF array. Mainly ORTF, that is, for they can easily be rotated to different positionings.
Piece of 20x30 mm, two drilled holes, two screws, two large pipe clamps, washers and you have a very flexible mic mount. Stiff but flexible 😉
Lousy dampening though. But I found a solution for this - I don't kick the stand. Works like a charm.

Crazy? Naah 😉
 
I agree it's handy, but way too much surface area in the immediate vicinity of the diaphragm for my money.
I think you're right. On the other hand, you often see in microphones with smaller capsules that the front boundary surface is deliberately enlarged with various constructions.
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What are the specific influences on the acoustics caused by these disks? What happens as a result? Changes in the recording of lower frequencies (analogous to a baffle for a free standing loudspeaker)? Does the directional characteristic change from cardioid to rather omnidirectional? Comb filter effects that negatively influence the frequency response?

We've discussed it a bit in this thread before, but it's not really clear to me yet.

Just be aware that this thick material effectively increases the diameter of the capsule, delaying the time it takes the sound to travel around the capsule, changing the sound.
 
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The rings create a boundary effect at frequencies above those determined by the diameter of the ring; that is, from that frequency on up the output is increased about 3-5dB or so and it becomes more directional at those frequencies.

It's a less elegent way of doing what the sphere (APE) does in the Neumann M 50, but with significant diffraction effects from the edge of the ring. Also these rings affect freqs about an octave higher than the 40mm sphere of the M 50.

Attached is a full article on the Schoeps V4U, which shows the effect of such a ring on a cardioid capsule (they were usually used on omnis). A full sphere can't be used on cards, for obvious reasons.

And the thread on my DIY approximation:
https://groupdiy.com/threads/cool-use-for-primo-em200-204.78994/
 

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  • V4UDevelopmentPaper.pdf
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