Slightly off topic but seeing as starquad cable was under discussion ,
I had an idea to try starquad cable for spring reverb recovery ,
typical recovery circuits use an unbalanced phono connection with one terminal grounded .
I found the sound of springs is cleanest with a hi-z load on the transducer , I often use an active DI box with 5Mohm input and short patch cable for recovery and when located away from mains transformers and with extra sheilding on the reverb pan it gives good performance .
Lately I got the SSL2 interface which features fully balanced connection on the Hi-z input with very low noise ,
I was thinking of wiring the reverb output with a flying lead of starquad to TRS , it might cut down on induced noise over the unbalanced method and every db you reduce noise the more it reveals the low level details of the spring ,
I like to feed the recovered reverb signal through a Drawmer DS201 in Duck mode , then use the main vocal into the side chain to control the reverb swell , with correct settings of the threshold attack/hold/release dials the reverb dynamically swells in the spaces between the vocal lines , the sound doesnt get crowded by the initial clang of the spring , nor do things become lost in a washy mess, it just leaves auditory vapour trails in the gaps .
The same Ducking type effect is also excellent with ambience mics on a drum kit , for instance using the toms on the trigger inputs .