Oh yes!! If you start making C12 capsules someday you will become my sole source for LDC capsules.I'm also beginning small volume production of some test m7s, 10 or 15 or so. I might send out a loaner to get some opinions on how to tune it.
Oh yes!! If you start making C12 capsules someday you will become my sole source for LDC capsules.I'm also beginning small volume production of some test m7s, 10 or 15 or so. I might send out a loaner to get some opinions on how to tune it.
The U67 gets feedback from a winding in the transformer, as opposed to 'local' feedback, so yes, I think that there would be phase issues, that would soften the sound on the treble.In my personal experience all the U67 I've used over the years had a “softer” or “tame” high end when compared to the U87s (different versions)
As for the U87 I don't find it's "soft" or "tame" in the high end, it's not Dark and it's not over-bright in my opinion, but it's bright, specially in the region between 5khz and 12khz, even with the de-emphasis circuit.
Most my colleague engineers find the same.
Maybe you guys have a different opinion, but I've never seen the U87 associated to a soft/tame high end.
I should really do this but I've been too busy on the business side of things to get much studio time in. Any volunteers? @tomas.borgstrom maybe?Can someone provide a link to audio comparisons between the K47 vintage and flat models?
I can record some acoustic guitar with an identical setup this week.I should really do this but I've been too busy on the business side of things to get much studio time in. Any volunteers? @tomas.borgstrom maybe?
Sorry for drafting you. Only if it's convenient, thank you very much.I can record some acoustic guitar with an identical setup this week.
I can record some acoustic guitar with an identical setup this week.
The U67 gets feedback from a winding in the transformer, as opposed to 'local' feedback, so yes, I think that there would be phase issues, that would soften the sound on the treble.
Not sure if this was intentional or not. Usually, when a load-dependent winding is used in feedback, the design aims to minimize problems due to load mismatch.
I can't see any LPF
where do you see that?Well, that 100-160pF capacitor has a lot to do with that... It's anything BUT conventional.
where do you see that?
They were brass for a short period before they were changed out because of the risk of shorting. If the Rings are metal, it becomes easy for salt from spit or weather to create a conductive pathway from the ring, which is grounded to the back plate, to the active diaphragm. It's also for obvious reasons difficult to make a k87 with isolated backplates with metal rings because the metal rings would short the backplates together through the screws. Machining was also quite good during this era before taking a serious nosedive into the 70s and not recovering until the 90s. There are a few anatomic differences that cause differences in sound between the generations of capsule but none of them are easily visible. Sorry for any weirdness I'm using voice to textBringing the discussion back to capsules, this is the capsule which I took off an early 60's Neumann... I think it was 60 ish anyhow..
The rings are in brass.
Because of the significant damage due to radio use, on the front side, I then substituted the capsule with a new Neumann K67 (15 years ago), and thought the sound was inferior, so I went and sourced an original 1969 ish headbasket and used that capsule instead.. much better IMO..
Do you mean this? I’ve seen it in one U67. I should have written down the serial number.Removal of the side grooves for the old style Mount that I don't think was ever used in a mass production Neumann product? But I may be wrong