Forgive me for pointing this out, but to me the asymmetry is visible if you compare the top and bottom half of the output sine wave. I am referring to the shape, not the magnitude.
That's fair. There may be some asymmetry resulting in some even-order harmonics, but the same could be said about almost every "classic" microphone. As long as it's subtle and no hard-clipping, I'm fine with it - especially since this is with a 500mV input, which is much higher than the circuit would normally see.Forgive me for pointing this out, but to me the asymmetry is visible if you compare the top and bottom half of the output sine wave. I am referring to the shape, not the magnitude.
Did you make an FFT of this waveform already? For most professional condenser mics, max input and output levels are specified at 0.5 % THD. On an oscillogram, THD often becomes visible only at levels above 1-2%. As the distortion is very obvious, I'd expect way higher THD. Could be exactly what you want if you'd like to add some "color", but if you want to compare apples to apples, you should specify the input and output levels at 0.5% THD.That's fair. There may be some asymmetry resulting in some even-order harmonics,
Sure, any circuit will generate lots of distortion if you drive it hard enough. But to say that every classic microphone generates the same amount of distortion at the same input level is just not true. There are many clasdic designs, from properly designed and biased Schoeps circuits to OPA Alice or Rode NT5 that generate less than 0.5% THD at 500mV input. Some can handle several Volts at their input. If you add a feedback capacitor as I mentioned in one of previous posts, I'm sure you'll improve the performance considerably!resulting in some even-order harmonics, but the same could be said about almost every "classic" microphone.
Yes, without any feedback applied, it's just an open-loop CS amplifier with Gain governed by gm and load impedance only. With gm all over the place ( device-to-device variations and as function of bias current) and a frequency dependant load, gain will be ill-defined.For some reason, I get different results.
Here I compare the outputs with 0.5V and 1V at the input?
With 0.5V distortion is visible, and with 1V clipping is evident.
Too much uncontrolled gain.
View attachment 140871
If you want +/- 60V, the voltage multiplier in the usual Vp circuit lends itself to generating +/- Vp easily.The nice part about using +/- 60V is that it would make polarizing the capsule a piece of cake. The backplate could be grounded, +60 could be applied to the front capsule, and the rear capsule could be switched between +60V, 0V, and -60V for omni, cardiod, and figure-8
Biasing the FET's gate to a negative voltage achieves this. I've simulated it. It doesn't fully solve the issues of uncontrolled gain (too dependant on FET's characteristics), limited headroom (which is ironic for a high-voltage circuit), and poor distortion performance.There are changes you could make to have better control over biasing and gain.
- Bias Q2 using a common two resistor voltage divider.
- Tame gain with partial bypass of the source resistor (just add a smaller resistor in series).
- Reduce current a bit to give those transistors a little break.
+1Many mic circuits are voltage followers, with no gain.
Gain can be added later. Low noise would be a design priority.
I believe they are inductances. Simulation softwares understand only nominal inductance.The transformer values in the simulation should be for inductance not impedance.
645 Henry would be hard to fit inside a mike.
Nice!They are inductances, and I took them from the product page: https://utmindustry.com/utm0547/
There's something wrong with these figures.They are inductances, and I took them from the product page: https://utmindustry.com/utm0547/
especially since this is with a 500mV input, which is much higher than the circuit would normally see.
Yes, it is possible to generate much higher voltages....but most microphones will see (on average) much lower voltages. There aren't many (any?) mics out there than can swallow a multi-volt signal without distortion. Again, the goal here was never to design a perfect microphone capable of any and all things.That is only true for distant placement. Close mic'ed instruments can produce output much higher than that (see KingKorg's posts on a capsule buffer amp using an op-amp running on 36V).
@igs Are the Primary/Secondary inductances for UTM0547 correct? The webpage states 645H & 8H.There's something wrong with these figures.
645/8= 80.6, which results in a voltage attenuation of 18dB, which is correct, and voltage ratio of 9:1 and an impedance ratio of 16.6k:200, which is not what the specsheet says.
Probably a copy-paste error.
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