neil.johnson
Well-known member
Thanks, interesting reading. Also worth digging out Cyril Bateman's series on capacitors.
There are objective bench measurements that quantify non-ideal capacitor behavior. Electrolytic caps are a mature technology but have improved since the 1970s (mostly lower impedance improvements for switching supply use).Just changed some 70's electrolytics in a compressor today
There's a noticeable degradation in sound when dealing with old electrolytic caps.
Manufacturers admit that shelf life is not eternal.
Tantalum does not go soft and fuzzy, by comparison.
If you are only concerned with power rail filtering then maybe tantalum is a bit of a risk, because they react badly to high current peaks. Some manufacturers install current limiting resistors as a safeguard against this weakness.
Electrolytic caps with film caps in parallel sound better IMO, generally speaking, but some of the sound of a lot of 70's discrete gear is due to Tantalum caps.
As far as distortion caused by polarized caps, SSL was certainly aware of that aspect when designing their stuff. Everything distorts. Perfection is more of a Marketing thing than if is reality, IMO
There are objective bench measurements that quantify non-ideal capacitor behavior. Electrolytic caps are a mature technology but have improved since the 1970s (mostly lower impedance improvements for switching supply use).
Coincidentally back in the 70s I spent some time on my bench quantifying the impact of paralleling electrolytic caps with smaller film caps. In my tests the film cap needed to be at least 10% of the total capacitance to dominate behavior. We routinely see small ceramic caps in parallel with electrolytic caps on PS rails but that is a different very specific above audio frequency application.
JR
Thanks, interesting reading. Also worth digging out Cyril Bateman's series on capacitors.
I don't want to diss Bateman's work, but the conditions where he measures the effects are often not pertinent to typical audio use, in particular electrolytics used in AC coupling, where the voltage across the cap must be very low. OTOH using electrolytics in speaker x-overs is not good practice, although common place.Yes - Bateman's stuff still seems to be the best read wrt audio use.
I don't want to diss Bateman's work, but the conditions where he measures the effects are often not pertinent to typical audio use, in particular electrolytics used in AC coupling, where the voltage across the cap must be very low. OTOH using electrolytics in speaker x-overs is not good practice, although common place.
IMO the weak point in his papers is the absence of warning that some of the tests are not typical of a product's performance if it is designed with good practice.
His papers are not for just anybody.
As I said, I don't want to criticize Bateman's work; my gripe is with people who refer to this work and conclude that electrolytics are distortion generators and advocate expensive and bulky film caps when they don't understand that it's useless.Also the articles are kinda old. His "Ultra low distortion test oscillator" THD is "under 0.01%" which is just not that great these days and easily beaten with a mediocre USB audio interface. So lets just appreciate that he did that work almost 20 years ago.
But I think most of us understand where an when to use various caps.
Agree re atypical performance / practice.IMO the weak point in his papers is the absence of warning that some of the tests are not typical of a product's performance if it is designed with good practice.
One more point about MLCCs. Like it or not, that's all there is dudes. Even audiophools don't use film for bypass. Good luck finding old-school ceramic disc caps. MLCCs are high Z at low frequencies but presumably they're used at IC pins and that is where you need > 1kHz performance where MLCCs are perfectly suitable. Maybe use 220n instead of the usual 100n to account for bias loss but I have a huge tape of 100n that I'll be using happily for sure.
As I do, but we have enough road miles to do that. I see many (not so) newcomers reading that as the Tables of the Law and being unable to put it in context.But I'd tend to look at it 'from the other end' and say that those tests illustrate the importance of good design practice.
I've no problem with X7R as stated but Polyester is a realistic option for DIY and through hole.
Link is to quick search and filter on RS. Scroll down for options to buy 25 or 50 etc rather than 1000s.
Well much depends on whether you are working SMT or thru hole. Then you can get onto lead inductance and disruption of ground planes etc...it goes on and on if you let it !Well I stand corrected. That is certainly a valid option. The 7.2x2.5 footprint requires quite a bit more board space but at $0.15 @10 for a 100n 63V film does beg the question, "why not?". If I had a lot of space, I might just use those for bypass of select amps.
Well much depends on whether you are working SMT or thru hole. Then you can get onto lead inductance and disruption of ground planes etc...it goes on and on if you let it !
On effective decoupling strategies - have you used/seen the X2Y configuration type caps ?
It's a concern for RF and high-speed logic. I've never could note a difference between film and ceramic by-pass caps in audio applications.Then you can get onto lead inductance and disruption of ground planes etc...
Do you mean using these for rail decoupling? I use them for mains inlet; they're quite enormous.On effective decoupling strategies - have you used/seen the X2Y configuration type caps ?
Do you mean using these for rail decoupling? I use them for mains inlet; they're quite enormous.
And lead inductance, well, maybe if you have a G-Hz bandwidth circuit. Like the skin effect, it's out of your range...
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