soapfoot
Well-known member
Working on a batch of 8 REDD.47 preamps, schematic here:
http://www.ladislavbrezovnik.com/diy/dripredd47/REDD47_Schematic.pdf
I've managed to find film capacitors for every location except the two cathode bypass caps, C2 and C6, which are 100µf @ 6V or better. Even my power supply filters are film caps in these builds-- perhaps overkill, but for future maintenance concerns alone I deemed it worthwhile.
Since I couldn't find any cost-effective 100µf film caps of any voltage (space is not a limiting factor in this case), I spec'd some Sprague Atom 100µF @ 100V (readily available from one of my suppliers) and moved on.
Re-reading Jung and Bateman's articles about DF and DA performance (and their audible manifestations) in capacitors for audio applications has gotten me curious. Since I know barely enough to be dangerous, I was hoping some of the more experienced folks here could chime in.
Jung suggests film bypasses of electrolytics used in cathode bypass applications [here, page 3], but I seem to recall hearing some say that film bypasses can actually degrade (rather than improve) performance in certain cases. I'm not prepared to trust my own intuition on the issue, so I ask the esteemed panel here:
1) Should polystyrene film bypasses to these electrolytics be used in your opinion/experience? If so, what value? 1% of total? .1%?
2) What influence should I expect capacitor DF and DA to have in a cathode bypass application in a tube preamp? Non-existent, mild, moderate, or large?
3) Would a pair of non-polar 220µF in series, bypassed with a polystyrene film shunt, be even better (as suggested in both Jung and Bateman)?
Thanks for any info or experience!
http://www.ladislavbrezovnik.com/diy/dripredd47/REDD47_Schematic.pdf
I've managed to find film capacitors for every location except the two cathode bypass caps, C2 and C6, which are 100µf @ 6V or better. Even my power supply filters are film caps in these builds-- perhaps overkill, but for future maintenance concerns alone I deemed it worthwhile.
Since I couldn't find any cost-effective 100µf film caps of any voltage (space is not a limiting factor in this case), I spec'd some Sprague Atom 100µF @ 100V (readily available from one of my suppliers) and moved on.
Re-reading Jung and Bateman's articles about DF and DA performance (and their audible manifestations) in capacitors for audio applications has gotten me curious. Since I know barely enough to be dangerous, I was hoping some of the more experienced folks here could chime in.
Jung suggests film bypasses of electrolytics used in cathode bypass applications [here, page 3], but I seem to recall hearing some say that film bypasses can actually degrade (rather than improve) performance in certain cases. I'm not prepared to trust my own intuition on the issue, so I ask the esteemed panel here:
1) Should polystyrene film bypasses to these electrolytics be used in your opinion/experience? If so, what value? 1% of total? .1%?
2) What influence should I expect capacitor DF and DA to have in a cathode bypass application in a tube preamp? Non-existent, mild, moderate, or large?
3) Would a pair of non-polar 220µF in series, bypassed with a polystyrene film shunt, be even better (as suggested in both Jung and Bateman)?
Thanks for any info or experience!