I just looked at the schematic at mnat' link and have a couple of comments that you can take with a large a grain of salt as you feel necessary.
I would give some further thought to th gain make-up section of this design. My concern is based on the fact that as shown, this stage (U3) is a variable gain amplifier with a gain range of appox 100 (40 dB). My personal feeling is to avoid using variable gain amplifiers where ever possible because, imo, changing the feedback factor changes causes the sonic quality of the amplifier to change as well. This means that the sound of the circuit is, in part, a function of the gain at which it is set. That's too many variable for me. YMMV. It is possible that there could be stability issues if the circuit as drawn if not tested carefully upon completion for oscillation and compensated correctly.
Personally, I would change VR6 to a fixed 10k value, change R12 to appox 2k (for a fixed gain of about 15 dB), and decrease the value of C16 to about 47 uF.
For level control I recommend a 100k log pot in parallel with the LDR cell of PR1. This will cause a very minor amount of attenuation working against the 6k series R (R8+R9). I'd then reduce R14 to about 300 ohms.
Also, as drawn, the amplifer is operating with 100% DC feedback and I do not think that you need to worry about using an output coupling cap. Also I am guessing that the electrolytic coupling caps are 22uF not 22 nF as shown. I would use a far smaller value on the input side and eliminate the output cap.
The above changes reflect my personal design philosophy of try to design sonically neutral equipment. If you wish to have your compressor contribute some sonic flavor, you will probably want to ignore the above statements. None the less, I think it is something to think about before the circuit boards are made. While you can use shorting jumper in place of capacitors, changing the way the level is control in the gain make-up amplifier is less easy to modify once a board is built.
Something to think about anyway.