Is there a Web Resource for Capacitors?

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Ethan

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I seem to recall stumbling upon a website a long time ago that went into great detail about the finer differences of different types of capacitors. Common applications, pros, cons, comparisons to other capacitor types... Wait... I think I saw this in AOE. Anyhow, if anyone knows of a web resource I'd greatly appreciate it.

Thanks!
-E
 
I have these two bookmarked-

http://members.aol.com/sbench102/caps.html

http://www.capacitors.com/picking_capacitors/pickcap.htm

dave
 
Can someone answer this question..? Why do we use smallish values for the film coupling caps that bypass 'lytics? (in parallel with the lytic)? why not use larger values? I can't seem to find the answer to this.
 
I always thought the bypass cap was there for HF dampening, which would make sense to me to use a smaller value. That my *guess*.

dave
 
[quote author="Svart"]Can someone answer this question..? Why do we use smallish values for the film coupling caps that bypass 'lytics? (in parallel with the lytic)? why not use larger values? I can't seem to find the answer to this.[/quote]If you are talking about passing audio, electrolytic caps generally pass lower frequencies faster than higher frequencies, so the entire frequency response is sort of phase-skewed. In other words, the higher the frequency, the slower and more out of phase it gets. This causes the audio to ?smear? a bit. A small film cap in parallel helps correct this by passing the higher frequencies in phase with the lower ones.

There does seem to be a drawback with this approach, however. Even though you are by-passing the HF around the ele cap, the slower, phase-shifted HF is still going to come through the ele?s. So, even though the sound is a little clearer, it is still prone to some high-end ?smear?. This is probably why some respected designers just use electrolytics or tantalums and leave the film cap off altogether.

An alternative is to just use big films and place them in parallel to equal the value you need. The trade-off here is that films are considerably more expensive (10uF MFs are approx $5ea at Digi-Key).
 
hey flatpicker, Yeah i got that part but it seems that wherever i read about it they mention a "smallish value" something on the order of a few pF. any reason not to use something like .1uF?
 
[quote author="Svart"]hey flatpicker, Yeah i got that part...[/quote]
Oh... :oops:
[quote author="Svart"]but it seems that wherever i read about it they mention a "smallish value" something on the order of a few pF. any reason not to use something like .1uF? [/quote]Not everywhere. Have you looked at Fred Forssell's schematics? He uses a 0.1uf and sometimes even a 0.22uF. A "smallish" value is usually sufficient, but a larger one will guarantee some over-kill if you have room for it.
 
No worries flatpicker! just wondering if i was missing something because i bought a large amount of .1uF polypros to use in parallel with my lytic couplers in my console. so far they have really helped the sound! I wonder if styrene would be better though..
 
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