yuppucho812 said:they took a lot of ideas from the old 4000 series desks. no automation, no compression on each channel, 1 size for all 32 channels of inline, 16 bus sends plus a stereo bus. Nothing to terribly exciting. about it's only real feature is the fader to unity switch which bypasses the fader to use it as an analog summing box. which defeats the point to having an SSL. PLus mixing on an SSL was because their automation was better then most not because it sounded amazing.
JohnRoberts said:yup
But brand name has perceived value.
JR
There is no DC music... even modest amounts of DC cause clicky switches, scratchy pots, and worse.bluebird said:What always interested me in the SSL's is the DC coupling of the signal path. I'm not familiar with it as my repair days were spent mostly on Neve VR's which had blocking caps between everything like periods at the end of sentences...
Anyone out there familiar with this and can comment on the advantages of a fully DC coupled console? Or was it just certain blocks of the channel? Phase? distortion?
iampoor1 said:"The old IC's dont exist anymore and are not friendly to the environment"
The few SSL 4000s Ive been inside are all loaded with 5534s.... :
I am not trying to dis SSL at this late date.iampoor1 said:"The old IC's dont exist anymore and are not friendly to the environment"
The few SSL 4000s Ive been inside are all loaded with 5534s.... :
The Duality mixbus is with LT1115.iampoor1 said:The few SSL 4000s Ive been inside are all loaded with 5534s.... :
Yes. But last year he sold it to the Audiotonix group (DiGiCo, Calrec, Allen & Heath, Digigrid)iomegaman said:Didn't Peter Gabriel and a partner buy SSL back in 2005?
boji said:http://sslweb.solidstatelogic.com.s3.amazonaws.com/content/SSL-Lifting-The-Veil.pdf
"No Electrolytic Capacitors
The physical construction of an electrolytic capacitor means that its performance is imprecise,
huh? All else equal film caps are physically larger so larger antennas.it is vulnerable to electro-magnetic interference,
what standards? Show me the numbers.and even expensive ‘high-quality’ electrolytics do not meet our standards.
that is a mouthful... of marketing mumbo jumbo. I am not aware of specific noise issues related to leakage. Perhaps in the phantom voltage DC blocking circuit node where leakage current could show up as input signal. The more common problem related to leakage is low capacitance that is not much of a problem if you start tuning HP poles several octaves below audibility.In addition, over time and
with temperature variations, electrolytic capacitors degrade and become ‘leaky’ - resulting in significant noise issues, altered characteristics, and a shortened product life.
whatever...SSL avoids using electrolytic capacitors for decoupling between analogue stages wherever possible.
By definition a DC servo with active components is higher noise than a passive DC blocking RC... :Instead we use advanced DC servo coupling techniques for low noise, high precision DC offset control."
But would you vote for an electrolytic capacitor after reading that?At least they didn't say a well-functioning lytic makes for bad audio.
exactly... good ergonomics, good features...fazer said:I don’t remember the no caps in the signal path until the 9000 came out.
When I got to mix on a 4K one time , It was the vac grouping that allowed a broadcast mix easily for 2 different bands. There were 64 channels and the vca groups allowed me to easily do drum group, bass ,vocal and acoustic guitars mando fiddle . I would just ride the groups. Easily changed from band one to band two by muting vca,s for band one and switching on band two vca groups. One more vca group for MC. Show was a piece of cake. I was in mix heaven. Made me look good. I loved the remote truck with the 4K. Brilliant Brodcast.
shot said:…...No automation? They could at least motorise the big faders and use some HUI or whatever protocol. At this price tag... c'mon
No automation?
No automation!
I won't compare it soundwise, but I got most of the features (eq-ing the direct out, paralleling gear and similar stuff) on my Soundcraft Sapphyre that I got used for 3% of SSL Origin's retail price. Hey and if I want to go nuts with it, I can get used automation for it! Or even better - I have plenty of room under the fader to install Zam's automation that rocks (sorry Zam, I'm out of budget for now!)
Luka
Enter your email address to join: