Talk to Bill Yacey, even though I have not seem him here for a while. Maybe his Johnson blew a head gasket somewhere in the backwaters of Lake Titicaca.
Any good mic input transformer of 1:10 to 1:15 ratio should work for the input. Be prepared to adjust the compensation network on the secondary on test. Some input transformers might "prefer" to work into a solid resistive load on the secondary as well. I left it off on my prototype since the "Ouncers", like most input transformers of their vintage, were designed to work into an unloaded grid. Adding a grid resistor did not improve performance in my case, it just cut the amplitude a tiny bit.
If you want an output transformer, an Edcor WSM10k/600 should do the job for about 8 bucks :wink: I like the idea of building the preamp as shown and adding a 1/4" switching TRS jack between the coupling cap/tiedown resistor and the output transformer primary, to give you the option of bypassing the output xfmr (and its associated voltage loss) when unbalanced operation is acceptable.
Yes. It wouldn't hurt to use a film cap for C5, but good luck in finding one in that value and voltage rating. It should not be a lower value than that, since it will affect the phase/frequency characteristic of the feedback loop.
Would you consider this a more transparent or colored pre? I really want to put a bunch of these together for a preamp stage on a desk. I know that the trannies I use will have an effect on that as well but I was just curious as to your thoughts.
The tube circuit itself is enclosed in a feedback loop and is pretty clean, in the relative sense, so the transformers used will have a huge bearing on the "sound" of the preamp, I'm sure. To my untrained ears, mine sounds "warm" but not "wooly", if that makes any sense at all. (That's why I hate these subjective descriptions, they're nearly useless).
I've got both NYDave's 12AV7 and CJ's 417A pre on my "to build" list and I've been collecting parts (got tubes and some passive stuff already). NYDave: Would an Ouncer O-1 be preferrable to a Triad JO-3 for input on your design? CJ: what about yours? Do either of you have recommended output iron (something Sowter or CineMag would be most convenient).
I remember the discussion about CJ's design requiring a gapped output tranny which could take 20-30mA (big, rare, expensive). Can't you just AC couple it ala LA-2A? Or is there a fundamental thing I'm missing about impedance matching? I'd like to get a balanced output from the thing for a reasonable $$$. Insights much appreciated.
I don't doubt that it sounds good--just wondered about the tradeoffs in getting balanced out using a tranny. Why can't the output be AC coupled followed by iron to avoid DC in the output and its associated problems? I'm looking forward to building the thing.
Yes you could do either a cap into a transformer or a choke-cap-transformer parafeed circuit. You need some henries to match up with the plate but not as many as your typical tube, as the plate resistance is a lot lower, I remember someting like 5 k ohms.
I'll have to do a little reading on the parafeed thing. Looks a bit like the V72 (another thing I've collected parts for). Interesting. Thanks for the help.