1. is the apogee DAC wall wart powered? Any warts and proper grounding is the first place I would look. Something like a mini-me might want a better chassis connection to earth than mic cable shields (in this specific, new RFI situation)
2. Check the settings tree in the DRack, there could be a setting in there messing with pinout, polarity, impedance, *, etc. The box is deep. RF filter? Those joints are used in very RFI intense places.
3. It's clumsy with monitor eqpt not on patch, but you can use known good mic cables to connect the DAC-dbx into a different amp or powered monitors, try analog into the dbx or try the DAC-dbx chain in any other line level chain for the same RFI. I carry 600 and 2k8 ohm inline xlr slugs to change line impedance when things don't play well together. You can try it with a mic cable. Your runs are prolly short, so this should be less of an issue. I am assuming that all equipment is balanced. That said, does unbalancing the amp input change things?
The male operatic, 0:35 on
this track is RFI that was recorded during tracking and flown-in from 1/4".
Mike
* perhaps it has a setting where it can feed a stereo amp with normal cables to use as a mono amp, sending hot to the LHS and cold to the RHS. We used to have to do this manually with 80's Crowns and Brystons. Just thinkin'