You gentlemen are great.
Thank you so much. That takes me a step further. But one after another.
Thumping is not a problem. And the integrated calibration mode is super for getting the tubes balanced. I will try to feed the grids with a clean dc and measure again.
I am a bit undecided if I like the distortion or not. It is too audible with highly dense (frequency domain) program material as synths. I have the impression that the higher voltage on the anodes of the 6al5 leads to more distortion of the feedback signal. I will recalibrate the unit after the original R+S manual and see if that makes any difference.
This is where 2/3 of the distortion happens. The rest is 3rd order. The issue is that most of the 2nd and 3rd order distortion happens around 500Hz to 5k and is clearly audible.
I had to laugh loud. Thank you.
I agree, I will order two other interstage TXs. Any idea? I need center tapped 1:1 (10k). Any other than Carnhill VTB9071 with a <60€ price tag?
The journey goes on. Thank you everybody.
Falk
Thank you so much. That takes me a step further. But one after another.
Thank you very much Jacob.gyraf said:The most important in vari-mu is controlling the "thumping", that is, the breakthrough of control voltage into the audio - this happens is the two tube branches are not set equally, so the controlling DC upsets their balance, punching an amount of the control signal through to the audio path (as the dynamic unbalance is generating kinda a halfway-differential-signal). To check and adjust for this, remove audio from unit's input and apply audio (e.g. 300Hz@0dBu, that's what I use) to the control grids, monitor output audio, and adjust the trimmers (Abgleich I&II) for lowest possible amount of 300hz signal breaking through to the audio output.. Note that this won't ever null completely, we're just looking for "best compromize"
Thumping is not a problem. And the integrated calibration mode is super for getting the tubes balanced. I will try to feed the grids with a clean dc and measure again.
I am a bit undecided if I like the distortion or not. It is too audible with highly dense (frequency domain) program material as synths. I have the impression that the higher voltage on the anodes of the 6al5 leads to more distortion of the feedback signal. I will recalibrate the unit after the original R+S manual and see if that makes any difference.
Heikki said:1.5k plate resistors will increase distortion, but it will be mostly 2nd harmonic and largely cancelled if the tubes are balanced. Of course tubes balanced for lowest thump might not be balanced for lowest distortion.
This is where 2/3 of the distortion happens. The rest is 3rd order. The issue is that most of the 2nd and 3rd order distortion happens around 500Hz to 5k and is clearly audible.
Winston O'Boogie said:I just remembered the time I built a particular opto based tube compressor. The opto was a series element in the feedback network of the tube amp and, when the unit was compressing, distortion went down.
I was very underwhelmed.
I had to laugh loud. Thank you.
Winston O'Boogie said:True enough. It does seem a wee bit of a cruel load for those poor valves though don't ya think?
I've only tried 1:1 Edcors as an interstage for loading a 6BC8 triode where inductance was fine, the only thing needed was a zobel on the secondary.
I do wonder if, given what Falk discovered necessary with the Edcor in this circuit, a different interstage might be better.
However, if we're talking about 2% of fairly benign distortion then I personally wouldn't overly worry.
I agree, I will order two other interstage TXs. Any idea? I need center tapped 1:1 (10k). Any other than Carnhill VTB9071 with a <60€ price tag?
The journey goes on. Thank you everybody.
Falk