benlindell said:
Is it weird that the highpass filter works regardless of bypass?
Yes, that's weird. The HPF on all of mine (10-channels) works perfectly.
I designed the S800 project (and by 'designed' I mean
stole it directly from the Series 80 channelstrip drawings), because it is a revered eq that requires no esoteric parts (other than, perhaps, the dual-gang 100k reverse log pots). Low parts cost and great performance makes this a great project. I used to have some Trident EQ's and missed them badly after selling them, so I wanted to build some.
They are not the slickest EQ's around (GML ain't worried), but there is something unique and magical about them. Quite honestly, if I were to build them again, I'd load half with 10k pots with a couple of resistors to reduce the total amount of available cut and boost, as it doesn't take much to get where you want to go with these. Pretty heavy-handed stuff, but I
love them on drums! Also enjoy them (used gently) on electric guitars. It's pretty raw stuff, but a nice, aggressively musical character that's cool on rock stuff. It's one of those designs with a 'sound'... some love it, others won't.
As for the design itself, the only place I wandered from the original was in adding the balanced output. On the console channelstrip the HPF is followed by a polarity inverting stage and then a pair of transistors feeding an unbalanced direct out. I didn't care for the inverting stage and wanted a balanced out, so I added it, and that was that.
FWIW the 22u/16v caps are, I believe, tantalums in the consoles. Colin's kits used electros, IIRC, which is cool, but a little less color as a result. Mine have electros. I may swap for the tants at some point, but have too many other things to do first.
JC