[quote author="DaxLiniere"]So how do you feel about 12SN7 octals for both gain stages? Is that going to colour the sound too much then? I assume the 5687 is "cleaner" in this circuit? I suppose two sockets could be wired in parallel for ease fo tube-swapping.
(Yes, I know the package doesn't determine the amount of colour :wink: )[/quote]
i like to use different tubes / loadings (kondo-san style), but in this case i have good experience with using a 6SN7 for this job. i'd recommend using dual pots (just duplicate the exact stage) so you can push the second tube stage without excessive output levels. you can play with different tube loadings and / or cathode bypass on both tubes
the 5687 is not cleaner as such. it's the configuration that makes the colour not so much the tube. actually, it's _always_ how the tube is loaded, not what brand. hence my dislike for 100$ TFKs. i can get a two-dollar tube to sound much more satisfactory. to me that is
i prefer using an octal rather than the 5687 in this pre. fotis likes the 5687. great. this baby is highly configurable .. i guess that's why it's so popular
you could wire the sockets parallel, but you might run into oscillation. you probably need seperate gridstoppers, but it's doable. heating requiremetns are different (the 5678 is one thirsty sucker), but with a standard Vreg, i don't see any probs. just make sure the tubes draw the same amount of current, 15mA'ish
not to cofuse or throw in too many choices, but just about any tube with a medium to high mu can be used here. you got thousands to choose from