NewYorkDave
Well-known member
Way too much playing around today... I tried 12AV7 + 6SN7, and 12AV7 +6CG7/6FQ7. The results were very close--as befits the tube manufacturers' claim that the SN7 and CG7 have the same characteristics.
In both cases, THD+N was 0.1% at +4dBM and 0.5% at +14dBM. But it started rising rapidly from there (2.5% at +18dBM and 4.7% at +20dBM). This turned out to be distortion from V1A at higher input levels. Removing the bypass cap from V1A improved matters greatly (1% at +18dBM, 2% at +20dBM), at the cost of some gain, of course. The distortion figures are a little higher overall than what I was getting with the 6SL7 as V1, but at least now there's no problem with HF rolloff from a high-Z source. With a 50K source, frequency response is 20-20, -0.13, +1.01. Again, that 1dB bump at the bottom is due to the output transformer.
IMD+N is 0.26% (unweighted) or 0.18% (A-weighted) at +14dBM
Graphs from today's tests can be found in this album. I did not take screenshots of the FFT, however. The album just contains images from RMAA automated tests. The THD+N numbers I'm quoting here are from FFT, since RMAA does its THD+N test at 3dB below full scale and therefore the results tend to be slightly optimistic.
Dig the little bumps at 60Hz, 120Hz, etc... Power line frequencies creeping in. That happens in a breadboard :wink:
By the way, in case you're wondering why I seem determined to incorporate 12AV7 into this design somehow, it's because I have a sh*tload of them. But now it looks like I need to pick up some more 6CG7 as well.
So, in conclusion, it seems what we have here is a small line amp (or beefy preamp, depending on your perspective) that will work well with a few different tube types, both miniature and octal. I'll build a proper prototype someday, but it's time for me to call the "development work" done on this one and move on to the many other projects (both in and outside the "day" job) that are piling up...
In both cases, THD+N was 0.1% at +4dBM and 0.5% at +14dBM. But it started rising rapidly from there (2.5% at +18dBM and 4.7% at +20dBM). This turned out to be distortion from V1A at higher input levels. Removing the bypass cap from V1A improved matters greatly (1% at +18dBM, 2% at +20dBM), at the cost of some gain, of course. The distortion figures are a little higher overall than what I was getting with the 6SL7 as V1, but at least now there's no problem with HF rolloff from a high-Z source. With a 50K source, frequency response is 20-20, -0.13, +1.01. Again, that 1dB bump at the bottom is due to the output transformer.
IMD+N is 0.26% (unweighted) or 0.18% (A-weighted) at +14dBM
Graphs from today's tests can be found in this album. I did not take screenshots of the FFT, however. The album just contains images from RMAA automated tests. The THD+N numbers I'm quoting here are from FFT, since RMAA does its THD+N test at 3dB below full scale and therefore the results tend to be slightly optimistic.
Dig the little bumps at 60Hz, 120Hz, etc... Power line frequencies creeping in. That happens in a breadboard :wink:
By the way, in case you're wondering why I seem determined to incorporate 12AV7 into this design somehow, it's because I have a sh*tload of them. But now it looks like I need to pick up some more 6CG7 as well.
So, in conclusion, it seems what we have here is a small line amp (or beefy preamp, depending on your perspective) that will work well with a few different tube types, both miniature and octal. I'll build a proper prototype someday, but it's time for me to call the "development work" done on this one and move on to the many other projects (both in and outside the "day" job) that are piling up...