Soliloqueen's k87(k67) and k47 capsules

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check this out. Here are a few flat k47s with the new metal, relative to the target, and for fun, a somewhat dark k47v relative to the same target at 1/48 smoothing:
1738800121401.png

We've reached best in class performance here. The differences in sensitivity are exclusively due to the plastic spacers being too squishy. We've reached zero metal influence and near-zero diaphragm tension influence on the capsule response.
Matched at 0dB:
1738800308615.png
Let's zoom way the hell in:
1738800371594.png

These remaining differences are broadly due to minor positioning differences in the test microphone due to our rig being kind of jank and having the test speaker way too close to get over the noise. We've reached the limit of shop floor testing.
 
In my personal experience all the U67 I've used over the years had a “softer” or “tame” high end when compared to the U87s (different versions)

As for the U87 I don't find it's "soft" or "tame" in the high end, it's not Dark and it's not over-bright in my opinion, but it's bright, specially in the region between 5khz and 12khz, even with the de-emphasis circuit.
Most my colleague engineers find the same.

Maybe you guys have a different opinion, but I've never seen the U87 associated to a soft/tame high end.
The U67 gets feedback from a winding in the transformer, as opposed to 'local' feedback, so yes, I think that there would be phase issues, that would soften the sound on the treble.

Not sure if this was intentional or not. Usually, when a load-dependent winding is used in feedback, the design aims to minimize problems due to load mismatch.
 
I think for funsies I'm going to offer linen phenolic rings as an option. This won't affect the sound or the reliability, it's just because I think vintage capsules made with linen phenolic look cool

I made capsules with phenolic paper:
PXL_20241204_064010961.NIGHT.RAW-01.COVER.jpg
(Don't worry we've already replaced and pickled these screws) which looked almost the same but the weave was too small:
ml0hxc2s9aqq9wjjycdw.jpg
Which suggests that the vintage rings are the same material but with linen rather than paper. So now I'm tracking down some phenolic linen instead
 
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The U67 gets feedback from a winding in the transformer, as opposed to 'local' feedback, so yes, I think that there would be phase issues, that would soften the sound on the treble.

Not sure if this was intentional or not. Usually, when a load-dependent winding is used in feedback, the design aims to minimize problems due to load mismatch.

Actually... I went and looked at the U67 schematic again, and I can't see any LPF, only the rumble filter and HPF....?

In the U77 and U87 there is a LPF incorporated.

Full-band feedback from the winding is there, which is odd for a microphone, and is likely there to reduce transformer distortion. Some transient response artifacts might be a result of that.

This would imply that it is the transformer itself which is rolling off the treble, similar to an SM58 or something.

Wow..

That 'phasey' sound might be because of 'transformer distortion'

I used to own one and thought it was a bit soft.

It became a lot harder sounding, and cleaner, once I replaced the 1 uF electrolytic coupling capacitor with a new one.

60 year old electrolytic caps certainly do have a soft, dark, distorted sound..
 
Bringing the discussion back to capsules, this is the capsule which I took off an early 60's Neumann... I think it was 60 ish anyhow..

The rings are in brass.

Because of the significant damage due to radio use, on the front side, I then substituted the capsule with a new Neumann K67 (15 years ago), and thought the sound was inferior, so I went and sourced an original 1969 ish headbasket and used that capsule instead.. much better IMO..
 

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Bringing the discussion back to capsules, this is the capsule which I took off an early 60's Neumann... I think it was 60 ish anyhow..

The rings are in brass.

Because of the significant damage due to radio use, on the front side, I then substituted the capsule with a new Neumann K67 (15 years ago), and thought the sound was inferior, so I went and sourced an original 1969 ish headbasket and used that capsule instead.. much better IMO..
They were brass for a short period before they were changed out because of the risk of shorting. If the Rings are metal, it becomes easy for salt from spit or weather to create a conductive pathway from the ring, which is grounded to the back plate, to the active diaphragm. It's also for obvious reasons difficult to make a k87 with isolated backplates with metal rings because the metal rings would short the backplates together through the screws. Machining was also quite good during this era before taking a serious nosedive into the 70s and not recovering until the 90s. There are a few anatomic differences that cause differences in sound between the generations of capsule but none of them are easily visible. Sorry for any weirdness I'm using voice to text
 
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My k87 is based on this exact version with the following limited changes:
All screws changed to m1.4 for ease assembly
Removal of the side grooves for the old style Mount that I don't think was ever used in a mass production Neumann product? But I may be wrong
I also removed the plastic pegs and the implemented a different way of back plate alignment during assembly.

But otherwise, it's identical.
PXL_20241128_082339038.RAW-01.MP.COVER.jpg
 
Removal of the side grooves for the old style Mount that I don't think was ever used in a mass production Neumann product? But I may be wrong
Do you mean this? I’ve seen it in one U67. I should have written down the serial number.
 

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One interesting thing I just saw on my photos, is the presence of what appears to be 8 small beads of something or other arranged symmetrically on the membranes, close to halfway between the rim an center..

Are these the spacers that were mentioned, in order to avoid clinging to the backplate in dry atmosphere?

If they are on the membrane itself, would they not add mass?
 

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