g9builder said:
The later option is what I did.. solder the shilding pin to the lower plate and the upper secction to the lower plate...
Thanks that's exactly what I've done now. Makes around 3-6dB of difference for 50Hz rejection (not surprisingly perhaps) and they now pretty much match the Lundahls within the limits of my rather poor test gear (yeah it's a sound card and it isn't fully impedance matched etc. etc.) Lundahls seem to be less load impedance sensitive. Every little helps getting that s/n figure up though.
I also got a reply from OEP too. Good customer service
They suggested exactly the same. Solder the shield pin to the base plate at the shield pin. Then also solder the base plate to the top can at two places (next to the shield pin and in the middle at the diametrically opposite edge) See picture below.
Update: I've spent a couple of days now playing to see how to improve on some minor hum I had. I chased a lot of ghosts in this time, but I think it was well worthwhile.
Here's my tips on getting the S/N ratio up to well over 70dB and even possibly 80dB+ with a following wind (at least according to my crappy measurement kit anyway and of course ignoring those tube induced harmonics that we want.....).
Hope these help someone else.
1. Use screened cables for the sensitive wiring internally e.g. input and output to/from XLR to the PCB headers.
Also on the round trip to DI jack. (I had no oscillation issues without having to re-route significantly).
Make sure your grounding has no loops and goes to a common star point at pin 1 of the input XLR and it is well connected to the case (via a dedicated nut & bolt purely for grounding).
Ground the output XLR pin 1 too, and also connect the shield on the cable to the header K3/K103 (even though it isn't connected to anything at the other end on the board header).
2. The step up transformer was more of a mains noise source than the step down transformer.
Swapping their mounting position over helped a lot for very little effort. Rotating them also helped but not as much.
Keep power transformers are far away as possible from any other circuits. Physical separation is a lot cheaper than screening.
3. Scrape paint off the case around screw holes and used locking washers to ensure Faraday cage effect (thanks to Zebra50).
4. Twisted the wires to the output gain pot for the 2nd stage. This is also a relatively high impedance circuit on long wires.
5. Solder screening cans on OEP transformer properly and make sure they are well grounded.
(see above picture on how OEP recommends doing this)
6. Wait for the lift to stop before performing any measurements :
Really, the heavy duty motor on the lift in my block produced more than 10dB of noise on my local mains.
Beware of refrigerators and other domestic appliances too.
7. Use more gain in the first stage if possible and then set the 2nd stage to around 70% of max
8. Use channel 1 rather than channel 2 for lower level signals.
I still have a difference between channels. Channel 1 is quieter than channel 2, but not by much.
I think that is simply due to physical proximity to the power supply and longer wires to the PCB and output connectors.
9. My Lundahl based build is clearly quieter and less sensitive to load than my OEP build even after all of this.
Whether they "sound better" is a different issue. Most people on the board seem to prefer the OEP sound. I dunno.
10. If you are running the OEPs into a modern (high impedance input) A/D converter, try terminating the output of the preamp (with around 600 ohm to 1K) to reduce hum.
Also when measuring make sure the source has a reasonably high impedance (of around 1-2K ohms) to avoid transformer ringing etc.
I got much cleaner test signals from a mic than a computer sound card.
Proper impedance matching can make another 5-6dB difference specifically for 50 & 100 Hz. Lundahls didn't seem to need this matching as much.
11. Don't use a cheap plastic 6.3mm - 3.5mm stereo jack adapter at the line input on the back of an Apple iMac. Use a solid metal one.
That can lead to a lot less frustration searching for mains noise that is nothing to do with your build :-[
12. Turn down the sensitivity of your computer input card and use more gain on your G9. I noticed that the noise spectrum was mainly 100Hz and its harmonics and was largely independent of gain, so I guess most seems to be leaking in either via the power supply or via the output and inter-connect cabling. Turning up the gain on the computer just increases the mains hum, whilst lowering your headroom and encouraging input clipping on the ADC or input amp. Old style valve circuits will drive +28dBU ~ ±15V so give them room to breathe.
13. Use the low cut filter in 'low' mode if you really don't need bass extension. Without the filter in place I measured the 3dB point at round 17Hz on OEPs and 24Hz on Lundahls and it was basically really flat down to around 33Hz which is around the lowest C on a piano (and lower than a standard E bass) so if you don't need it to record that low then filter it. I've heard reports that the bass response is solid and I can see why with that frequency response together with oodles of headroom.
Update March 7th. I've done some experimentation with MuMetal Ultraperm 80 sheet. It wasn't the most scientific test. I placed a cylinder around each of the transformers and checked on a spectrum analyzer whether it made any visible difference. As far as I could see any difference (if any) was negligible. Pretty much what I expected as it is probably saturating with such strong fields, but anyway I thought I'd give it a try. Probably better just to spend your money on decent interconnects and mic cables.