[quote author="khstudio"]I have a few questions:
What is the difference between the 600/10K and 10K/600 transformers :?:
Aren't they the same thing... backwards??? :?
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For those of us who are stuck & can't find (or afford) the 2x24 switches - will 2x12 be sufficient? Also, I ask you guys that already built this... Where is the sweet spot (as in the resistance)? This may help us determine how to set up the 2x12 switch.
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Last question:
for those of us who are working in a mixed (impedance) environment... like using modern 10k & vintage 600ohm equipment -
Do you think a 10k:10k will work on the input... like the LA2A MOD :idea: :?:
Is there enough gain or drive on the front end of the PM670 to make up the difference (or loss of level) when using a 10k:10k input TX???
Thanks[/quote]
The 'sweet spot' is going to be a matter of people's relative operating levels and level setting habits. No one else will be able to make a clear call on this, other than to suggest a wide range.
I'm going to theorize on two things:
1) 10K:10K will probably work, but with reduced ability to drive into deep compression. 600:10K shouldn't have any impedance matching issues with this type of design. The parts list seems to suggest 15K per section, which would equal 30K on a 10K secondary, which would mean 1.8K reflected to the primary; shouldn't be an issue for much of anything. The designer and beta testers will know.
2) Think about the switches; my assumption is they are dual stepped attenuators similar to using a dual pot on the secondary of the two 'input' transformers; the audio input and then also the input of the side chain amp. I may be wrong as to exact position. How many dB per step will you need? If you use a 12 position at 2 dB/step you have a range of 0 to -22 dB, etc etc. Is it enough? Do you want or need finer steps? 24 position at 1 or 1.5 dB/step seems reasonable to me. If I'm right about the position, you could do several different things with varying results:
A) fewer steps plus a switchable input pad (to make up for lack of more steps) on the primaries, say 10, 15, or 20 db. Could be a 'U' pad on the audio input, and may need to be an 'H' or 'T' on the side chain input.
B) Use newyorkdave's dual switch 600 ohm variable attenuator on the primary sides. Double the knobs, double the work.
C) Use dual pots, like the Gates Sta-level and several other pieces. Not as accurate, but clearly works 'good enough'. Not that you will find a 15K dual audio pot; there's one rub.
The designer and beta testers will know.