[quote author="[silent:arts]"]
the rotary switches
the first rotary switch is the "Input" or "Gain" switch.
dual deck is necessary, shorting preferred, and the more positions the better. over all resistance is 15K. [/quote] 15K ohm per section? or total? I'm assuming per section, meaning 30K measuring both sections
my prototype has 18dB of gain, thus I will do one dB steps on an Elma, stopped to 23 steps, going from -4dB to +18dB.
Ah, good info. 18 dB total gain. So, 1 dB steps gets you below unity gain. And for those asking about low noise tubes, that's the amount of maximum possible gain you are worrying about in regards to noise contribution.
Regarding the sweet spot of the 'Threshold' switch; it appears then that a low level audio signal could receive an 18 dB boost in the audio amp, plus whatever boost is available in the side chain amp for driving compression. So, if you put a typical +18 dBm FS signal into the unit, how much might one wish to turn down the input, and likewise compensate with the side chain gain? Or, is the side chain fully capable (I imagine so) of knocking down the gain below the clip point successfully? Those are the questions for all to consider (when second guessing the designer :razz:
). I imagine (22) 1 dB steps on each is more than enough to wrangle the signal several different ways.
Sorry to make more work so early; figure I'd throw out these musings to help folks get a grasp on what these attenuators do, and how it relates to their systems. I'm used to dealing with things like Collins 26U's and Gates SA-39's with 2 dB/step input and output ladder attenuators and 55 dB wide open gain. They have fixed thresholds, so the input attenuator is the whole deal, and the output is for setting recorded level. It's normal to run that variety at -26 input and -24 output; that won't apply to this design.