A mic that never was (a thought-experiment circuit for the RK-12 capsule)

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If you swap BOTH pairs of wires, it doesn't change anything.
You are absolutely right, the circuit works in both versions.
But...
In many years of working with transformers I have noticed some rather subtle details.
If I connect the beginning of the primary coil 🔴 to the hot part of the audio signal, and the end of the primary coil to GND, the coil will behave as a kind of electromagnetic screen (especially the last layers of the winding) and we will have less hum. The secondary having low impedance will be less sensitive. That's why I chose the second variant of connecting the transformer.
Maybe that's why in many schemes we see the beginning of the coil marked, connected to the hot part of the signal.
 

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Thanks a lot @micolas
That's the DCDC circuit I am most familiar with and would like to use:
 

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View attachment 144756

I want to use a UTM0547 as OPT. I have used other ratios with a similat design in the past. J2 can be even be an BJT, but I'm just using parts I have laying around. Disregard R17, I forgot to pull it out, lol.
Many are of the opinion that J2 would be better off being a BJT.
But it's everyone's choice.
Is the schematic your design?
 
Thanks a lot @micolas
That's the DCDC circuit I am most familiar with and would like to use:
View attachment 144762
DC/DC consumes very little current. C1=330uF is huge. 47uF is enough.
You will need to feed the DC/DC through a resistor so that you give the Zener 9.1 just a few extra volts to effectively stabilize, not "stealing" more current from the audio circuit.
 
Yes. I built the first version of it with BF245a in J1 and J2 position.
I like the design, and I thought about something like that. Many years ago I was building guitar pedals with multiple jFETs, they behave closer to a tube than a BJT.
I'm really following @thor.zmt 's projects with MosFets very carefully. They have great potential.
 
@Jakub W
Here is a proven scheme that I use in most situations.
At such low currents, I don't even use a zener diode, which can be noisy. The electrolytic capacitor behaves as a pseudo current reservoir.
Thanks a lot guys, I thing I got the final sketch for the PCB design fo the circuit, IF I understood and drafted everything correctly. Any further hints will be greatly appreciated.
 

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Thanks a lot guys, I thing I got the final sketch for the PCB design fo the circuit, IF I understood and drafted everything correctly. Any further hints will be greatly appreciated.
Between +C3 (Audio) and +C1 (DC/DC) you must insert a resistor of several tens of Kohm. To begin with, you put a semi-adjustable R* of 47Kohm set to the maximum value.
Connect the DMM to the DCDC output, [+D3/C13] and decrease the value of R* until you measure approximately 62V...64v. Less will fit on the capsule. At the end, R* will be measured and replaced with a resistor of the same value
 
Between +C3 (Audio) and +C1 (DC/DC) you must insert a resistor of several tens of Kohm. To begin with, you put a semi-adjustable R* of 47Kohm set to the maximum value.
Connect the DMM to the DCDC output, [+D3/C13] and decrease the value of R* until you measure approximately 62V...64v. Less will fit on the capsule. At the end, R* will be measured and replaced with a resistor of the same value
Thanks again. So this seems to be the final sketch? Self doubt is growing in my veins ;).

Edit. Corrected thanks to @Khron
 

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The other day I was thinking about the design of the ELA M251, and how it differed from the C12 in ways that were intended to make it more Neumann-like ... more EVIL heresies ...
evil, Evil, EVIL :eek:

Us mike makers that come from da Holy AKG line spurn such EVIL Heresies.

Bernhard Weingartner would be turning in his grave if he wasn't still around :)
 
evil, Evil, EVIL :eek:

Us mike makers that come from da Holy AKG line spurn such EVIL Heresies.

Bernhard Weingartner would be turning in his grave if he wasn't still around :)
In fairness, it was really Telefunken that wanted it to be "Neumann-like." The SM204/23 was already most of what became the ELA M251 E, so AKG had already done most of the design work before Telefunken ever came knocking.

AKG can remain Holy :)
 
@Jakub W

R3 (audio): a semi-adjustable resistor R** also of 47Kohm set to the maximum value is initially used. With Zener 33v NOT CONNECTED, adjust R** so that at +C4 you measure 36...37v.
Now connect the zener diode and you should measure at +C4 around 33v (+/- depending on the zener specs in the datasheet)
At +C5 you should measure about 29v +/-
First adjust the Bias (from TP1 25Kohm) to measure at the jFET Drain about 10.5 ... 11.4v. The microphone must work.
(Later you will use a more appropriate method for Bias)
During these adjustments, fine-tune R*, R** and TP1 to obtain the previously mentioned voltages.
 
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