john12ax7 said:Be wary of taking advice from people trying to sell you something.
Changing tubes in guitar amps is easily audible. Try it for yourself and make your own decisions.
iomegaman said:and he was not selling anything.
bluebird said:?
There was no nulling in the null tests. This means they were all different. Lol.
bluebird said:But dude should really at least match the volumes of the guitar tracks he's trying to null so you actually hear a null, or the least amount difference possible. Which would be mostly distortion...Which is the DIFFERENCE.
Exactly.... you can use negative feedback to linearize tube circuits also. Without NF the accumulated frequency response errors from telephone network repeaters, would make long distance phone calls unintelligible.john12ax7 said:You can also just look at things logically. An opamp in its linear region, employing large amounts of negative feedback will be heavily influenced by the feedback network so will minimize differences.
I am old enough to remember unplugging all the tubes and riding on my bicycle down to the drug store to test them with the public tube tester. Weak, bad tubes could be identified and replaced.A guitar amp is much different. Negative feedback is much lower and non-linearity, often intentionally, is much higher. On top of that the manufacturing spread of tubes is higher. Expecting there to not be measurable or audible differences doesn't make a whole lot of sense.
If there is only modest loop gain margin (amount of open loop gain more than closed loop gain) changes in open loop gain, like we see routinely between new and old tubes, can cause easily measurable and audible differences.EmRR said:I thought guitar amps and ancient preamps lacking NFB were the most obvious places to hear differences, until I started trying different tubes in a U67. Wow. The capsule is directly affected by the NFB path, so there’s a very obvious symbiotic relationship that rearranges with swaps, all minute differences are amplified.
JohnRoberts said:The classic lesson about null testing occurred decades ago when a skilled amplifier designer bet an audiofool rag editor that he could make a solid state amplifier indistinguishable from the expensive industry icon in blind testing by using null testing to reduce differences in transfer function. As I recall he won the bet. 8)
JR
I don't recall the details but logically to get a representative read for a power amp null test you need to drive them with music and load them similarly to loudspeaker impedances. Drive amplifier A and amplifier B with inverted polarity signals. Load each amplifier with a 4-8 ohm resistive (?) load (they on't have to be pure resistive but must be identical). Then connect the two load - leads together, but floating. A null should exist at that common load - node. I suspect the two amplifier grounds can be connected together so amplifier power supply currents have a simple return path.Ricardus said:Bob Carver vs. the Marantz 9.
I'm Curious how they conducted that null test.
They did it by playing a digitally recorded signal through the amp before and after the change of tubes. It is easy to line up the resultant digital recordings, invert one and null them.JohnRoberts said:I don't recall the details but logically to get a representative read for a power amp null test you need to drive them with music and load them similarly to loudspeaker impedances. Drive amplifier A and amplifier B with inverted polarity signals. Load each amplifier with a 4-8 ohm resistive (?) load (they on't have to be pure resistive but must be identical). Then connect the two load - leads together, but floating. A null should exist at that common load - node. I suspect the two amplifier grounds can be connected together so amplifier power supply currents have a simple return path.
JR
JohnRoberts said:This is a major difference between glass and solid state... Solid state devices generally work well until they fail outright. Tubes are like car tires, they start good and slowly degrade.
JR
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