I just went to the studio to do some more testing.
First off, it sounds good! Its wild how hard you can hit this thing without it sounding bad. In fact, I couldnt make it sound bad, I tried.
I tested four different tubes in V1.
Plate voltages:
Cheap 12AX7:100/104
Old Fender branded 12AX7: 98/101
Random Fender 12AT7: 78/84
Mullard 12AT7: 50/57
Sound wise, the higher the plate voltage the higher the output (I left the settings the same), which makes sense. But once I level matched them, the were as follows:
Cheap 12AX7: didnt do a listen test
Old Fender branded 12AX7: little muddy in the lows and low mids, bright
Random Fender 12AT7: slightly muddy with clean high end
Mullard 12AT7: clean low and mid with a smooth top end
So I dont know what the deal is with the lower voltages on the 12AT7s and the Mullard in particular. I dont know if this is a problem. I could always lower the plate resistors (R9, R13) to bring the plate voltage up, but I dont know if thats the right thing to do, or even necessary.
First off, it sounds good! Its wild how hard you can hit this thing without it sounding bad. In fact, I couldnt make it sound bad, I tried.
I tested four different tubes in V1.
Plate voltages:
Cheap 12AX7:100/104
Old Fender branded 12AX7: 98/101
Random Fender 12AT7: 78/84
Mullard 12AT7: 50/57
Sound wise, the higher the plate voltage the higher the output (I left the settings the same), which makes sense. But once I level matched them, the were as follows:
Cheap 12AX7: didnt do a listen test
Old Fender branded 12AX7: little muddy in the lows and low mids, bright
Random Fender 12AT7: slightly muddy with clean high end
Mullard 12AT7: clean low and mid with a smooth top end
So I dont know what the deal is with the lower voltages on the 12AT7s and the Mullard in particular. I dont know if this is a problem. I could always lower the plate resistors (R9, R13) to bring the plate voltage up, but I dont know if thats the right thing to do, or even necessary.