..given the huge variations even in original units, I wouldn't worry about "most accurate" when making a clone of it..
Build it, and see if it suits you - from there you can be more specific in alterations
/Jakob E.
I understand that. I wanted to be more specific but it's obviously difficult to communicate.
I suppose I was just hoping for a "I swapped part A out for the brand X equivalence and it made the highs less harsh and more smooth, like a C800-G compared to a WA-8000" kind of response.
I'm looking for character/color of a typical 1176 "blue stripe". Clean enough to track through without regrets but not so clean that I might as well just use a Waves/UAD2 plugin.
Every Klark Teknik unit I've ever heard, in my opinion, was a complete waste of rack-space. They're so transparent you might as well just use a plugin. They probably would've been a big deal if they'd made them in the 1970s, when everything was "dirty" and transparency was hard to come by, but they're about as sterile as "ITB" with all of the "analog" buttons switched off. Basically, KT is the Fruity Loops of hardware... in my opinion.
At the same time, I like my Ampex 601 (modded into a 1 channel multi-tube mic pre) but it's far too colorful to use on every record. I've considered a couple of ways to run it in parallel with a cleaner signal so that I could dial in the amount in post.
Most of that may not be directly relevant but I'm hoping it tells you enough about me that you guys are more able to steer me in a good direction.
Oh, and this will be used in a professional studio, where it's the only non-original device, when it's finished.
I heard a Hairball Rev A during the lockdown that sounded just about perfect. It was the only 1176-style comp I'd ever heard sound exactly as I expect a blue stripe to sound. That unit is what lead to me decide to build one. I just don't know if it was modded in anyway and I no longer have the owner of it's phone number.